Monthly Archives: October 2013

A Bonus Cut Feature: An Interview With Journalist 103

Journalist+103

via Last.fm

By: Gus Navarro

I still remember the first time I heard Gas Mask by The Left. Apollo Brown’s beats hit hard as per usual and that’s what first drew me in. As I played the album over and over I couldn’t get enough of the lead MC, Journalist 103. To put it bluntly, the man has a way with words that few in hip-hop have today. His rhymes are laced with social, economic and political anecdotes, and are an example of why hip-hop is educative. The passion he has for music is evident in every track he’s done and is a main reason why we wanted to talk with him. Last week, I drove down to Detroit and met him at the Al-Aqabah Islamic Community Center right off Joseph Campau Street. Once I was there, we just sat down and talked hip-hop. There are many things that we touch on in this interview. We talk about his childhood, Islam, Eminem, Detroit, what hip-hop is and much more. I walked away from this interview realizing the power of hip-hop. For Journalist 103, hip-hop is something that is much more than a way to make money. For him, hip-hop is a way of life and the love he has for it shines through more than anything else. I don’t think I’ve met anyone who has the same amount of passion for hip-hop as Journalist 103 and I am honored that he was willing to share his thoughts with me.

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Album(‘s) of the Week: “The Beauty In All” and “People Hear What They See” by Oddisee

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This week Gus and I decided to share two, yes TWO, albums for our Album of the Week segment. They’re both from the brilliant mind of Oddisee and they’re both worth spinning, multiple times.

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A Bonus Cut Feature: An Interview With Dessa

By: Gus Navarro

It was exciting when Dan told me that we might have a shot at interviewing Dessa. From Minneapolis, Minnesota, Dessa’s impact on hip-hop, literature and education has been a big one. Through her work with Doomtree and other projects, she has touched so many. Naturally, I was looking forward to getting to hear her thoughts. Ann Arbor, Michigan was one of the places on her “Parts of Speech” tour and she was going to be making a stop over at the Impact 89FM studio, Michigan State’s student radio station. The original plan was that I would interview her following an in-studio performance. However, due to time constraints this did not happen because the band had to get down to Ann Arbor for the show. Initially, I was bummed. However, when one door closes, another opens. Despite missing out on the chance to talk in person, it was decided that we could do a phone interview. I was also put on the guest list for the show in Ann Arbor (Thank you Mars!). At the show she mingled with fans before the performance, with each encounter being seemingly genuine. On stage, she interacted with the crowd, bringing them into the show. It felt as though we weren’t just there to watch musicians on stage, instead it felt like we were part of the performance. At one point, she said to the crowd, “You are the record label.” What she meant was that with the decision we make to pay for records, we keep independent artists afloat. As someone that chooses not to download music illegally, it was refreshing to hear an artist acknowledging the role that fans play in supporting musicians. On stage, it never felt that she or the band were working too hard or not hard enough. They were in the pocket, playing well and feeding off each other’s energy. A perfect way to spend a Sunday night. After the show, i introduced myself. As we talked about the show and setting up a phone interview, her approachable and humble personality was the same as it had been on stage. There is an edge to Dessa that manifests itself within her sense of humor, intelligence and beauty. It was an honor to talk with her in person and on the phone because of her honesty, insight and dedication to her craft.

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A Reaction to Lord Jamar and His Inaccurate Take on Hip-Hop

By: Gus Navarro

This past week, Lord Jamar of Brand Nubian, offered up some provocative statements regarding issues of race, power, homosexuality and ownership in hip-hop during an interview with Vlad TV. His comments provide us with the chance to think critically about how hip-hop can and should be defined. There is much that goes into this definition and it is worth thinking long and hard about. As I began to reflect on this interview, it became clear to me that Lord Jamar’s comments are doing the social movement of hip-hop a disservice. Lord Jamar is simplifying hip-hop down to a black and white issue and I wholeheartedly disagree with this line of thought. Lord Jamar is taking away from understanding hip-hop as a worldview, how it has grown and what it can do for people. On top of that, he is slighting every hip-hop artist involved in creating what it is today. In light of these comments, we must break down what he is saying because of hip-hop’s significance around the world.

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Creativity Breaking Into Mainstream Hip-Hop: How to Become a Superstar

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By: Uba Anyadiegwu

Many music listeners are getting tired of typical mainstream artists these days: artists who aren’t very skilled, but broke into the mainstream for their radio friendly or club material music. Artists such as Tyga, Flo Rida, and even the lackluster Big Sean come to mind. Everyone can rap but what makes you stand out? Is it your look? Persona? Swag? In some cases, it is! Ask 2 Chainz, because his music and material isn’t different but his whole persona and his name alone are reasons why he’s different. Nonetheless, artists such as 2 Chainz are more of fads and do not have longevity in their music careers. This is mainly because his music is cool and funny now, but after a while, people will start to get annoyed from it. For instance, look where Soulja Boy’s career went.. Yeah I cant find it either. The only way to create longevity in a mainstream artist’s career is to have a signature, creative sound; an artist’s rapping delivery and beat selection are major contributions to their sound. Hip-hop has been going through an experimental movement, where many of the most popular hip-hop artists don’t necessarily have that ‘traditional’ hip hop sound. This kind of sound refers to the sound where hip-hop originated from. A traditional hip-hop sound has a very jazzy and R&B sample influence feel with insightful lyrics. A great example of an album that follows this sound would be Kanye West’s College Dropout. However, artists such as Drake, Kendrick Lamar, A$AP Rocky and Chance The Rapper are a few examples of where hip-hop as a collaborative sound in the mainstream is headed towards.

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