Monthly Archives: January 2014

Bonus Cut Poetry: “Inheritance” By Abby Conklin

Flaming_cocktails

This is the 12th installment of Bonus Cut Poetry, a new series that features original poems by Bonus Cut staff, artists and YOU! In this series, our mission is to bring people together in poetry, share stories and display wonderful artistic pieces. If you would like to have your poems in the next Bonus Cut Poetry installment, just email us at bonuscut@gmail.com

Our 12th installment features Bonus Cut’s own Abby Conklin.

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Back Beat Magazine Visits Jay-Z and the Magna Carter World Tour

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Our friend Ella Campbell over at Back Beat Magazine recently took a trip to the Palace in Auburn Hills, Michigan to experience greatness: a Jay-Z show. Talking about the thrill of the show, analyzing the philosophy of hip-hop shows in general and sharing the concert’s highlights, Ella takes us on a first-hand experience of a Jay-Z concert.

Head on over to Back Beat Magazine and check out their marvelous work and read the article here.

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Bonus Cut’s Starting Five: 1/29/14

Every week, Daniel and Gus pick five songs to share called The Starting Five. This week, they’re personally sharing these tracks as a feature.

Gus’ Picks

Awon & Phoniks – “Midas Touch”
MC Awon and Producer Phoniks team up to bring you a jazz influenced, boom bap laced track that is socially conscious lyricism. This song and its album, The Golden Era, has been out since July and it may be one of the most slept on albums in 2013. It is truly worth the listen. Support these dudes.

Uptown XO – “Lime Light”
⅓ of Diamond District, Uptown XO talks about the perils of seeking out fame. What is the cost being in the lime light? What would you do to have that sought after five minutes of fame? Is it really worth it? Over a haunting track, XO makes you think about fame and what people may or may not do to be in it.

Tyler, The Creator – “Sandwitches”
If you’ve followed hip-hop at all within the past 3 years, you remember Tyler and his antics with Odd Future Wolfgang Kill Them All. Tyler and friends blew up in every way possible beginning with the television debut of this track with the help of The Roots on Fallon’s show. Their fame and popularity within the college community was something to behold. I will never forget seeing them in the Midtown part of Detroit, almost getting swallowed up by the crowd as they tore up the stage and having to leave early as bottles were thrown and a brawl seemed iminent. What a night. Golf Wang.

Sango – “Tres Horas”
Having spent time living in Brasil I am always excited to hear new hip-hop that incorporates influences of Brasilian music. In all honesty, some is better than others at capturing the unique culture of this unbelievable South American country . To date, I am not sure if I’ve heard a hip-hop representation of Samba that is more spot on. Sango and what he’s doing with his sound is something special.

Truck North – “Band Of Au”
Is there ever bad hip-hop from Philly? From Truck’s recent EP, Murder By Mourning, “Band Of AU” calls upon Black Thought and STS for this other-worldly cut. I am totally biased but this track is flawless. The bassline is tight and the rhymes even tighter. As Black Thought says, “If there’s rapper that could test me alive/ Nigga, Elvis Presley alive.” Need I say more?

Daniel’s Picks
My picks are all releases from the Mello Music Group Mandala Tape releases. You can purchase Mandala Vol. 1 and Mandala Vol. 2 here. 

Miz Korona, Quelle Chris, T. Calmese, Nick Speed – “Supreme Codeine”
Talk about a posse cut worth blasting. “Supreme Codeine” eats you up, and digests you through its grimy intestines, and when these four artists are done with you, there’s nothing else to do but go through the process all over again. If anything, “Supreme Codeine” is that one song you can play at a social gathering, reminding everyone that hip-hop’s vivid collaboration aesthetic is alive and well.

Blacastan – “Stardust (prod. Gensu Dean)”

Blacastan is great at explaining himself in the filthiest of punchlines. Concocting a Raekwon-like rhythm and style, matched with Gensu’s Big L and Gang Starr sampled production, “Stardust” feels like a classic East Coast blast.

Muhsinah – “Up (prod. 14KT)”
“Up” is a track that is mystifying. It also jingles with a certain darkness that makes its characteristics gritty and tough. Muhsinah’s pitch is moving, hopeful, uplifting, sensual and on point. “There’s no worrying up here,” she digs, “and I want you to see it.”

Open Mike Eagle – “A History of Modern Dance (prod. Jeremiah Jae)”
Open Mike Eagle has stated numerous times that his music is “art rap.” The way he styles his set-up and flow reinforces this, as he goes off on tangents about random subject matter that bends each and every rule. It works though, and matched with Jeremiah Jae’s shivering production–something that could attend a Hitchcock film–“A History of Modern Dance” just oozes with uniqueness.

Murs – “The Pain Is Gone (prod. Apollo Brown)”
The poetry about love and romantic interests has always been Murs’ M.O. Over a very recognizable Apollo Brown-structured beat, Murs tells us a story about a girl. Murs 3:16.

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Bonus Cut Films Presents: An Interview With Hir-O (Part Two)

via blatpack.com

via blatpack.com

Omari Hall (aka Hir-O) is a producer from Detroit, Michigan. As one of the city’s rising hip-hop artists, Hir-O has branded his music with splashes of electronic swells, jazz, soul, live instrumentation and other realms of music that all come to form a cohesive hip-hop force. His projects with DaJaz1, Doss The Artist and Red Pill, along with his instrumentals such as The Voyage Home, reflect the true prowess and versatility of his work, and with future projects coming in 2014, Hir-O is a name you should remember.

Today we’re excited to bring you part two of our interview with Hir-O as part of Bonus Cut Films, a series that looks into the lives of various hip-hop artists across the globe that have impacted and shaped this culture for the better.

If you haven’t seen part one, you’re going to wanna do that. Click here to watch.

Below is the second installment of our Hir-O feature:

Film Credits: 
Writing and Script Design: Daniel Hodgman, Gus Navarro and Justin Cook 
Directed By: Gus Navarro 
Production: Daniel Hodgman, Gus Navarro and Phillip McGuigan 
Camera and Sound Design: Ian Siporin, Julian Stall and Phillip Mcguigan
Editing: Gus Navarro and Phillip McGuigan
Songs: “We Are Not Like Them (instrumental)” by Hir-O / “Best Rapper (instrumental)” by Hir-O

Many thanks to Omari for inviting us down for the interview. 

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Digging Deeper: Martin Luther King Jr. And His Revolution Of Values

By: Gus Navarro 

On April 4th, 1967, Dr. King gave one of his most important speeches: “Beyond Vietnam.” A year to the day before his assassination in Memphis, Tennessee he spoke from New York City about the hegemonic implications of the Vietnam War and the racism, materialism and militarism embedded within the political, social and economic ethos of the United States.

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Bonus Cut Says “Thank You.” Listen to “The Kick” by Red Pill and Hir-O

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By: Daniel Hodgman and Gus Navarro

Bonus Cut has been around for almost a year now and in that time we have grown. Looking back on this past year, we would not be where we are today without the cooperation of the many different hip-hop artists we have come in contact with. There have been quite a few, but Red Pill and Hir-O have been two artists that have been truly supportive of what we’re trying to accomplish. In short, we cannot thank them enough. Our goal with this write-up is to say thank you to two people who have supported us. With that, we also want to take the time to highlight an album that is underrated beyond belief. In all honesty, a lot of people probably haven’t heard of this record. It’s not your fault but if you’re reading this then should listen to it and share with anyone and everyone you know. This record is a testament to the passion and amazing nature of collaboration within hip-hop music. Seriously, buy this record and support local music.

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