Tag Archives: Detroit Urban Arts Academy

Pushing Tracks: “Paradise (prod. God Level Music)” by Cam Minor

When you listen to Cam Minor, you can’t help but appreciate how stoic he is behind the mic. This isn’t to say that he’s not commanding, but that lush and laid back delivery is such a huge staple it literally defines him as the MC he is. Of course, this is a good thing. In fact, it’s why his music is so appealing. As outsiders, Cam’s songs look effortless, and with his smooth and clear flow he can sling multiple deliveries in one fell swoop.

“Paradise,” like many of the ganj-soaked hip-hop cuts before it, slowly engulfs you with an inviting tone, and the catchy production by God Level Music helps clear the song’s path to distinction. With Cam’s delivery and the rattle-ping beat, “Paradise” is all good feels and worthy of a listen.

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Pushing the Tracks: “Bill Cosby Sweater” by Cam Minor

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Cam Minor is a promising young artist coming out of Southwest Detroit. We first met him during a trip down to the Urban Arts Academy in 2013, and during a quick post-interview cypher he laid down some electrifying bars.

On “Bill Cosby Sweater,” Cam takes those bars and puts them into studio form. Over a quick-cutting beat that gives room for his lyrics, Cam admittedly declares on the hook: “I’m yelling out, ain’t nobody better/ I’m overconfident in a Bill Cosby sweater.”

Maybe it’s overconfidence, but here it simply looks like confidence. From start to finish, Cam’s delivery is strong and clear, and mirroring a slight similarity to Earl Sweatshirt’s vocal tone, there’s intrigue all over. What’s especially exciting is a mix between Cam’s confidence behind the mic and his ability to easily weave lines together. During his first verse he spits, “Hello, hello, goodbye/ Hit the party looking fly in some two-year-old Levi’s.” Later on he answers his critics: “I’m getting lucky like rubbing on a Buddha head.”

It’s this forthcoming style that makes Cam Minor someone to watch. As an artist with confidence, clear flow, clever rhymes and good production to back his songs, there’s nothing stopping Cam from releasing more worthy songs.

Peep the song below and enjoy!

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Bonus Cut’s Hip-Hop State of the Union Address

Eryakah Badu via http://www.okayplayer.com/news/erykah-badu-the-music-snobs-on-ghostface-killah.html

Eryakah Badu via http://www.okayplayer.com/news/erykah-badu-the-music-snobs-on-ghostface-killah.html

By: Daniel Hodgman and Gus Navarro 

Fellow hip-hop heads:

Where is hip-hop at right now? Where does the culture stand? For a movement that is now over 40 years old, what can we as a community tell everyone else about hip-hop’s presence in 2014?

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