Tag Archives: Ess Be

A Bonus Cut Feature: An Interview With Ess Be and Sareem Poems

DSC_0137

By: Gus Navarro

Photo Credit: Carla Hernandez

Whether you’re talking sports, music or some other scenario, there is nothing quite like the tandem between a veteran and a rookie. Bringing past experiences to the table, the veteran can share knowledge and insight gained through the years. As a relative newcomer, the rookie has a lot to learn but is also an invaluable asset, equipped with a fresh perspective and new ideas. On their new EP, Beautiful Noise, Sareem Poems and Ess Be harness this dynamic to the fullest. Originally from Los Angeles, Sareem Poems has been rapping and making music with his group, LA Symphony, for over a decade. In short, he’s been around the block a few times. On the other hand, Lansing native Ess Be is still a relative newcomer to the world of hip-hop. Ess Be may be “new” to the game, but his summer EP, Bag Fries, demonstrates his versatility.

Beautiful Noise finds both artists at different points in their lives. Despite that, it is the commonalities that bring them together. Representing the Lansing based AOTA hip-hop collective, they see this project as a step towards making music full time. For Sareem, it’s about returning to that. For Ess Be, it’s about stepping into that arena for the first time. Released via Illect Recordings, Beautiful Noise features Ess Be’s production and incorporates live instrumentation, adding depth and energy to an already strong project. Thematically, Beautiful Noise is driven by messages of perseverance and of working to redefine the ways in which we think about personal wealth. In speaking with them on the development of Beautiful Noise, it is clear they learned a lot from each other and about themselves. It is never too late to grow as individuals and to change your perceptions of the world around us. On Beautiful Noise, Sareem Poems and Ess Be remind us of this

Bonus Cut (BC): How did Beautiful Noise come to be?

Ess Be (EB): When I met Sareem I actually didn’t tell him I made music. Eventually, one of my boys mentioned it. At that point I’d been workin’ on making music for awhile but was actually thinking about stopping. Once I started talking to Sareem a bit more he asked me to send him some beats. I sent him some joints, he let me know how he felt about them and asked me to do an EP with him.

Sareem Poems (SP): There’s a difference between beatmakers and producers, and a lot times people lump them together. When I first heard Ess Be’s beats, I thought they were dope. But he also showed me what he’s produced. For example, he’s got EDM under his belt. That proved to me that he has more than just boom-bap or straight forward hip-hop tracks. When I heard the spectrum of what he can do, I knew it was going to be a great project to work on. 

Bonus Cut: How does the veteran and rookie dynamic play out between the two of you?

SP: My whole goal behind doing the EP with Ess Be was to give him a chance to fully use what he’s capable of in one project. His versatility shows throughout the project. His style and how good he is. All I did was bring my ability of song writing to the table and he produced the tracks.

EB:  Being an up and coming producer, it was weird that a veteran MC would want to work with someone who really doesn’t have a catalogue. I had never done a full project, so Sareem played a huge part in pushing me to complete the EP. Just to have someone believe in me and show me some things about creating a project has been amazing. I’m very appreciative for Sareem for the knowledge, wisdom and encouragement he’s given me.

IMG_0308

 

BC:  What have you learned from the whole process of making Beautiful Noise?

SP:  Throughout this process, I’ve learned that no matter how long you feel that you’ve been doing something, there’s always something new that you can learn. From Ess Be, I’ve learned to look at music as an outsider instead of being an artist. Ess Be is a fan of a lot of different types of music and I had to work on just getting back to appreciating music. I got back to giving things a full listen and becoming a fan again.

EB: Throughout this process I’ve learned about not just making songs, but making music. Anybody can have a song, but not everyone can make music. It stretched me during the creation process. There would be nights where I’d just be up late, ti’l two or three in the morning, tryin’ to figure out what needed to be added or taken away from each song. It’s different when you’re making music for somebody else versus just a beat for yourself. It was a growing experience because it stretched me to think outside the box and to push my personal work ethic.

SP: Yes. Makin’ a project is harder than most people think! It sounds cliche, but hard work and diligence pays off. Especially because neither of us are full time artists.

BC: Right, and you both have other jobs and commitments.

SP:  That’s right. I’ve got a full time gig and a son. If you put that on top of the music stuff, it’s tough sometimes. At the end of the day, you want the music you make to come out and have a big impact, but you also don’t want to take away from your normal life. Making music isn’t my everyday right now, but I want to get back to a point where it is.

BC:  And for you Sareem, Beautiful Noise is the first step to getting back to making music full time. For Ess Be, the project is moving you in the direction of becoming a full time artist.

SP:  Absolutely.

EB:  Yes, exactly!

SP:  That’s the goal, man. I took a long break. January of 2015 will officially be four years since I’ve put anything out. It’s been a minute, but it was a good, much needed break. There needed to be a recalibration in my approach to music. I needed to figure out how I can have an impact without trying to fit into any particular mode.

IMG_0304

 

BC:  Can you speak a little on your relationship with the record label?

SP:  We’re putting the project out via Illect Recordings. They’ve worked with Theory Hazit, Scribbling Idiots, Imperial, Sivion and some other cats. They’re making moves in a very good direction and I’m proud to be a part of the team. Shout out to Josh Niemyjsk who runs the label! His work ethic it out of control and inspires me, man. He’s puttin’ in work all the time.

BC:  What would both of you say are some of the major themes in the record?

EB: I feel like the common theme in the project is perseverance. The record is mad encouraging. Not to speak ill of some of the cats in music right now, but it’s definitely time for something different to be heard. Something that’s encouraging, uplifting and motivating. Just hearing the same stuff, time after time, after time, can start to desensitize people. We want this music to push people forward through pain from the past, and to help them understand their self-worth. We’re hoping we do it in a way that everyone can relate to and connect with. I hope that with the music I was a part of making, people will hear it and be able to travel to a different place mentally.

SP: For me, a lot of it has to be do with not staying stagnant. They call it the past for a reason, know what I mean? We’re living in the present, but at the same time, you gotta have a medium. You can’t let the future be the driving force because it ain’t here yet. If you’re chasin’ the future, and you don’t fully know what the future is going to be, you’re just going to keep chasing random things. A lot of the songs on the EP are about moving forward and climbing to a higher state of being. Whatever that is for you. A lot of people in society are obsessed with material things. The main thing for me is about being rich with time. I had to redefine what wealth was for me. You can have all the money in the world, but if I’m able to live and not worry then I don’t need millions. That’s a goal for me and you’ll hear that in the music.

Tagged , , , , , , , , ,

The Bump in the Night Beat Battle Recap

IMG_7512

By: Gus Navarro 

Hip-hop is a multi-faceted art form that can be difficult to categorize, and in my opinion, even more difficult to define. That being said, one thing that remains constant within the musical side of things is the presence of drums. In providing the tempo and rhythmic base for MCs to rap over, the beat has always been a key ingredient to hip-hop music. Hosted by the Lansing based hip-hop collective, All of the Above (AOTA), the Bump in the Night Beat Battle was a night full of on-point beats that made people holler and nod their heads in appreciation. Showcasing some of the best beat-making talent mid-Michigan has to offer, Bump in the Night brought old and new friends together, creating chances for fellow musicians to build with each other.

“It’s helping to get the creative juices flowing in Lansing,” said AOTA co-creator, Sareem Poems. “There’s artists here who don’t know about each other, and they’re getting a chance to meet and build possible collab opportunities. For us, it means the most to see this community come together and continue to build the hip-hop scene here in Lansing that people seem to forget about very easily.”

Consisting of four rounds, producers went head-to-head, each playing three beats for the crowd. Seated at the edge of the stage, four Judges, Seoul of the 61Syx Teknique B-boy crew, Matt Foust of 808 Ministries, KuriOto of the BLAT! Pack and Lansing legend, DJ Butcher, decided who moved on to the next round. These events can be difficult for judges because much of it is open to interpretation. During a pause in the competition, Seoul broke down the intricacies of judging a beat battle.

“All four judges are looking for something different. Each judge is looking for a certain thing in the beat so it changes things when it comes to judging. I’m looking for creativity and flavor,” he explained.“It’s a little bit different because my flavor isn’t going to be the same as somebody else’s flavor. So you gotta look at what appeals to everybody while also thinking about what catches your ear.”

IMG_7532

Nowadays, technology allows even the most average Joe the ability to make a beat. Anybody can press a button that sounds like a hand clap or kick drum, but that doesn’t make them a producer. A producer is someone who, with their percussive composition, is able to create energy and feeling from people who listen. Their beats make MCs want to rhyme and cause people to throw their hands to the sky.

Outersound Music Group producer, Young Heat, a previous beat battle champion and competitor, addressed his favorite part of being a part of beat battles: the people. “The people determine everything. We can have judges but if the crowd doesn’t like it, the judges won’t even matter.”

Young Heat may have been crowned victorious previously, but the night belonged to AOTA producer Ess Be. He climbed through the first two rounds, each of his beats seeming to get more sophisticated as the night went on. In a tense final round between Ess Be and The Sound Addict, another AOTA producer and past winner, Ess Be brought out all the stops, dropping trap beats and sampling Michael Jackson’s “Thriller” and the Ghost Buster theme. Every producer brought it, but Ess Be seemed to have a little more heat on this particular night and it was clear that he’s been hard at work.

IMG_7531

Being in the crowd for this event was so much fun. With each beat drop, you could feel the positive energy and passion from the crowd as they erupted in cheers, always wanting more hi-hat sizzles and crispy snare hits. Behind a backdrop of pulse-pounding beats, I got to catch up with people I haven’t seen in awhile and just be around a community of people that have welcomed me and have shown me nothing but love and respect. Between each round, an MC performed as well, giving everyone a chance to vibe to some lyrics and take a break from the competition. First up was AOTA student, Evan, followed by Miles Young of Outersound Music Group and finally, Sareem Poems. DJ Choppy Blades was on hand, spinning the beats for each contestant and Ozay Moore, the creator of AOTA, kept things moving between rounds, MCing the event to perfection. There is no doubt that the Bump in the Night Beat Battle was a successful event. On a mild October night, beats were dropped and the crowd erupted with joy. It was a celebration of hip-hop and a reminder of all the good it has to offer in Lansing, and communities all over the world.

Congratulations to EssBe!

The Contestants:

Olos

IzzyOnTheBeat

KillaTuHot

Ess Be

Young Heat

Paul Psych

The Sound Addict

Studio Addicts

Y’s Council

Drelo Beats

Oj Payno

Choppy Blades

Alex Malone

Amel

 

 

Tagged , , , , , , , , , , ,
%d bloggers like this: