Here at Bonus Cut our mission is to focus on hip-hop culture, current events, community building, independent artists making a difference on all facets, hip-hop education, the four pillars, unity and love. We have stressed time and time again that “new hip-hop music releases” isn’t our goal, and it never will be, but there are still instances where there’s an important hip-hop cut that can’t be ignored.
On that note, we will be sharing some projects that we feel deserve attention. Whether for their cultural impact or musical fluidity, these are songs we’ve stumbled upon at some point in our lives that shouldn’t be passed up.
It was around 7pm on Friday when I found myself walking along Addison Street in Chicago’s Wrigleyville neighborhood when I stopped at the Clark Street junction. In front of me, basking in the city’s aura, was Wrigley Field. The bright red lights had seized me, and for a couple of minutes I was in complete awe. Being new in a city is something I’ve experienced before, but I feel it’s a completely different circumstance for cities like Chicago. There are so many landmarks, and so many spacious areas to explore, and maybe in due time I’ll pass by without even stopping to steal a glance, but that night I had to take it all in. I was starstruck, and boy was I about to be starstruck all night.
Taking a left on Clark, I quickly hopped in line at the Metro, one of Chicago’s patented music venues, and as I stood there in a complete haze, I had no idea what was about to rush over me. On the Metro’s large venue sign in the front it simply read: 3/7/14 Freddie Gibbs & Madlib.
By: Harry Jadun with help from the Bonus Cut staff
“Damn, I swear sports and music are so synonymous, cause we want to be them, and they want to be us” – Drake
Fantasy sports has taken off. Due to the rise in technology and the internet, fantasy sports has not only become unbelievably popular in the United States, but also all around the world. Here at Bonus Cut, we have decided that we would take the concept of fantasy sports and apply it to hip-hop music. Instead of drafting wideouts and running backs, we’ve drafted some of our favorite MC’s and beat makers. The big winner in this situation is you. Not only do we introduce you to some of our favorite hip-hop artists and explain why they are relevant in hip-hop culture, we’ve also laced the Draft with dope tracks for your audio pleasure. With this draft, our goal is to pay tribute to some our favorite hip-hop artists and acknowledge the influence they have had on our lives.
Rappers love pretending to be somebody else. Ever since the conception of hip-hop, alter egos have been used as a tool by MCs to further their music, freeing them up conceptually and stylistically. Here at Bonus Cut we wanted to pay homage to the creativity and ingenuity of these artists, so we decided to host a tournament. 16 alter egos, 1 winner. Over the next two weeks we will introduce you to these insanely cool personas and then pit them against each other. Only the strong will survive. But first, like any sporting event, we have to lay the ground rules. Here goes:
1) The participants must be alter egos, not alternative names or nicknames. This means that the artist must rap from the alter ego’s perspective at one point or another and this perspective must be significantly different than that of the artist’s.
2) Only one alter ego per artist.
3) There were only 16 available spots (we wanted to keep the quality of the artists high).
4) Seeding was decided by the Bonus Cut Crew. We took into account creativity, cultural significance, popularity and obviously the overall quality of their music.
5) All matchups will be decided by yours truly, based purely on which alter ego I think is better (creativity, cultural significance, popularity and music). So yes, this is extremely subjective.
6) This week will only be the first round, due to the fact that I’m going to be introducing each alter ego with fun facts and a healthy dose of knowledge. Next week the tournament will be completed.
7) Feel free to let us know what you agree and/or disagree with in the comments below. We love feedback!
Now for the main event. Enjoy!
1) Slim Shady:
Eminem’s lovable homophobic, misogynistic and downright offensive alter ego was introduced to the world on his 1999 release, The Slim Shady LP. A satirical portrayal of rappers, Slim took things so far that he needed a semi-sarcastic “don’t try this at home” disclaimer to serve as the introduction to the LP. Slim was sent to the rap world with the sole intention to “piss people off,” and he accomplished his goal with hit songs such as “My Name Is” and “The Real Slim Shady.” It wasn’t all fun and games, because Slim’s jabs would always have weight behind them, especially when pointed towards popular culture. All of this, combined with the success of the 5x platinum Slim Shady LP, makes Slim one of the favorites to take home the hardware when it’s all said and done.
T.I. has had some trouble with the law in the recent past. That’s because he hasn’t been able to keep his thugged out alter ego, T.I.P., in check. T.I.P. was born on T.I.’s platinum selling T.I. vs. T.I.P. Throughout the album, T.I. is constantly talking T.I.P. down from resorting to violence or other activities that could get T.I. in trouble. T.I.P. is a thug who will get his way by any means necessary, but things are going to be tough in the first round against Slim Shady.
The Verdict: The problem with T.I.’s alter ego is that it’s not his alter ego anymore; it’s his identity. He hasn’t been able to stay out of jail due to stupid decisions. Also, T.I.P. isn’t winning any points for the fact that T.I. vs. T.I.P. signified the beginning of T.I.’s descent from the top of the commercial rap game. He simply doesn’t have enough to go against Slim Shady, who is one of the most pissed off, warped alter egos ever, and that’s saying something. This dude has a song about bringing his daughter along while getting rid of his wife’s dead body. Slim Shady, no contest.
2) Wolf Haley:
World, meet Wolf. Wolf, meet World. Wolf is Tyler, the Creator’s white alter ego. He has appeared in Tyler’s music throughout Tyler’s career, and even directed Tyler’s famous “Yonkers” video. Wolf originally started as a name that Tyler decided to use for Facebook because Tyler didn’t like his birth name, but Wolf eventually developed into his own person. Tyler describes Wolf as “the guy I want to be.” Wolf is wild, cool and gives zero fucks. Wolf often converses with Tyler within Tyler’s head, telling Tyler to do crazy shit that he wouldn’t do otherwise.
3) Humpty Hump:
Life got rough for Edward Ellington Humphrey when he burnt his nose while deep-frying some chicken. He couldn’t be the lead man of his band, Smooth Eddie and the Humpers, after the incident so he tried his hand in rapping under the name of Humpty Hump. Digital Underground member Shock G’s brilliant alter ego, back-story and all, shocked the world in the early 1990’s with his nasally flow on songs like “Doowutchyalike” and “The Humpty Dance.” He stands out from the crowd with his Groucho glasses complete with the nose and his extravagant clothes.
The Verdict: One of the toughest matchups of the first round. Humpty Hump is an epic character, especially with the detailed back-story, which is completed with the costume. Shock G sold it so well that fans, and even some in the music biz, actually thought Humpty Hump was a real person. But I have to go with Wolf, mainly because he directed that insanely awesome “Yonkers” video. Rarely does a music video captivate the entire blogosphere, but “Yonkers” did exactly that. Everyone and their mother has seen that video and will forever be terrified by Tyler wearing black contacts talking about hanging himself. Humpty, I’m sorry but you’re falling off the wall. Wolf marches onwards.
Madlib didn’t like his voice when rapping so he let Quasimoto do it instead. Created by slowing down the beat, rapping over it, and then speeding it up, Lord Quas’ helium-inflected voice has terrorized the rap game for the past decade plus. With two critically acclaimed albums to his name, The Unseen and The Further Adventures of Lord Quas, it won’t be a surprise if he makes a deep run in the tournament. Quasimoto is a self-described menace to society, and is not afraid to use violence in order to impose his will. He is well versed in microphone mathematics, and spares nobody with his effortless, slick flow. With another album due up in 2013, you better hide your kids and definitely hide your wife.
4) Roman Zolanski:
Roman is Nicki Minaj’s homosexual male alter ego from London. He has no album to his name, but appears on many of her hit songs, such as “Monster,” “Beez in the Trap,” “Bottoms Up” and “Bed Rock.” The Young Money crew member is often times aggressive and tells the harsh truth Nicki can’t do herself. He used to be violent, but has toned it down at Nicki’s request. The only thing that stops Roman is his mother, Marsha, who he constantly fights with. Unable to conform to societal norms, Roman was thrown into the nuthouse until an undisclosed date. Things don’t look too good for Roman, who was punished by the bracket gods with a tough matchup in round one.
The Verdict: Quasimoto is a brilliant conception. Anybody with a shitty microphone and voice recorder can speed up his or her voice, but Madlib took that idea and turned it into a terrific rap album. The bad news is, unfortunately, his run stops here. As much as I hate Nicki Minaj, I have to give it to Roman Zolanski, because he has too many quotable lines. Take “Bed Rock,” a song with lines like “lemme put this pussy on your sideburns.” Nobody knows what this line implies, but it’s still an awesome and aggressive bar. Roman’s entire verse on “Monster” is quotable (“Well if I’m fake, I ain’t notice cause my money ain’t!”). It’s too catchy, it’s too fun, and I hate myself for doing it, but I have to put Roman through to the next round. Ugh.
2) Bobby Digital:
If you love comic books, Bobby Digital is your man. Conceived when RZA smoked a “really good bag of weed” and introduced to the world on Bobby Digital in Stereo, this “lyrical rhyme nympho” is a martial arts master who will “Pierce through your physical faculties/With pin-point accuracy.” He is a pleasure seeker, representing RZA before the fortune and fame. His rhymes play out like that of a comic book, in which Bobby never fails to save the world and get the girl. RZA went as far as making two short movies for Bobby and even pursued a comic deal with publishers, but it didn’t pan out. Bobby Digital is definitely a dark horse, and all those who oppose him better be ready for a tough battle.
3) Sasha Fierce:
Sasha Fierce made her debut on Beyoncé’s I Am… Sasha Fierce. Everybody loves Beyoncé, and everybody loved Sasha Fierce as well. With chart-topping hits like “Halo,” “Single Ladies,” “Diva” and “Sweet Dreams,” the album was a commercial success. Besides being fierce, Sasha is aggressive, sensual and sassy. Beyoncé claims that Sasha takes over every time she goes out to perform, and she performs a lot. Recently though, B claims that she and Sasha have combined, and are no longer separate entities.
The Verdict: Sasha literally, as Aubrey would say, shut it down, down, down at the Super Bowl this year with her halftime performance. She also gets a boost from the signs that she is a member of the Illuminati, which are littered throughout her music videos. It’s hard to decide against Sasha Fierce. Like, they might come to get me hard. But Bobby Digital is every kid (and therefore grown man’s) dream. You’re telling me I get to be a karate master, comic book hero AND an ill rhymesayer? Just stop. But still, I have to go with Beyoncé because “Halo” and “Single Ladies” were guilty pleasures for a majority of human beings at the time of their release. Oh yea, and because:
Sasha Fierce it is.
1) Dr. Octagon:
A shape shifting alien doctor from Jupiter with metallic green skin, a pink and white afro and yellow eyes, Kool Keith prescribed just what the rap game needed in 1996 with Dr. Octogynocologist, which put underground rap back on the map. Medically, Dr. Octagon is incompetent, as his patients usually die from malpractice and he can’t resist having sex with his nurses. Lyrically however, he dissects all opposition with his smooth flow, witty wordplay and humorous lyrics over futuristic backdrops. If you ever need him to drop knowledge from his glow-in-the-dark brain, he’ll be glad to. You might have trouble getting a hold of him though, as his office operators have a tendency to be masturbating while they’re supposed to be answering calls.
Biggie’s friend from the barbershop, Pop is always on the lookout for those plotting against Biggie. He gives Biggie the heads up whenever he sees something fishy and waits for Biggie’s word to take action. Pop represents how valuable loyal friends are to rappers who are constantly in the crosshairs of haters’ attacks. Unfortunately, it looks like it’s going to be a short stay for Pop, who has a tough matchup in round one.
The Verdict: This one’s pretty easy for a bunch of reasons. First, Biggie gets punished for half-assing his alter ego. He could’ve gone with Frank White (which would’ve been awesome), but all he does is mention him here and there throughout his career and never really makes anything of it. Instead, we’re left with Pop, who’s not very creative or inspirational. On the other hand, you have Dr. Octagon, an orthopedic gynecologist (Get it? He puts bones into lady parts) from another planet that has performed with a dead Kurt Cobain and an uncircumcised Chewbacca. Doc Oc FTW.
A Mafioso style drug lord who came into existence on Raekwon’s Only Built 4 Cuban Linx… and has appeared in Nas’ music ever since. The story goes like this: before the fortune and fame, Nas was known as Nasty Nas, another persona who was hungry for success that spent days and nights grinding trying to make it. After Nasty Nas reached the top, Escobar took over. Escobar is a ruthless kingpin in the rap game who is always looking to make the next dollar. He’s a tragic hero who represents how power corrupts and changes humans.
3) The Based God:
The Based God is a diety with the appearance of Ellen Degeneres, Sam Cassell, Dr. Phil, Bill Clinton and many more famous public figures combined together. When seen in public, it is tough to fight the urge to shout out, “Based God, you can fuck my bitch!” Based God is the creator of the now famous “cooking dance” used by athletes all around the world and he occasionally takes over Lil B’s twitter feed in order to drop knowledge on the Based Lifestyle. He always promotes love and forgiveness, even going as far as to write a book on the topic. This alter ego is more than the music, which gives him a punchers chance to take home the bacon.
The Verdict: The Based God is a new-age alter ego, utilizing Twitter as the main avenue to reach his fans. His grammatically-challenged Twitter rants are pure comedy, but they always are done with the best intentions (to spread positivity and tips on how to live a Based life). Escobar is legendary in his own right, as his verse on “Verbal Intercourse” marked the first time ever that a non-Wu-Tang member appeared on a Wu-Tang album. That’s some serious shit right there. But I still have to go with Based God. He’s convinced sane men in relationships that it’s alright for him to fornicate with their girls. Based God, you can fuck my bitch… in the second round.
Sensitive thugs need hugs. Makaveli never needed hugs. An angry, ruthless thug who strategically ruled the streets, Makaveli feared no man. On Don Killuminati: The 7 Day Theory (which was completed in 7 days), Makaveli fired shots at all of Tupac’s enemies. He represented an artistic rebirth of Tupac, as Don Killuminati featured a much darker tone than Pac’s previous albums. Still, Makaveli’s songs featured Pac’s poetic verses and classic delivery, which is why the album is considered one of the greatest of all time. Based on all of this, Makaveli has both the style and substance to win this thing.
4) Brook Lynn:
Mary J Blige is well known for her singing abilities, but few know about her alter ego, Brook Lynn, who raps. Brook appears on songs such as “Enough Cryin” and “Midnight Drive,” and she teams up with Mary to make a formidable tandem. Brook is a sassy, independent woman who doesn’t do soppy love songs. She may need a soppy love song after the first round, as she is faced with the tall task of trying to beat one of the all-time greats.
The Verdict: I’m not going lie, Brook Lynn surprised me on the mic. She came with the goods, holding her own with the likes of Missy Elliott, Busta Rhymes, DMX and Rah Digga. And she’s dressed the part, decked out with some chains and sunglasses. That’s not even close to enough to challenge Makaveli, who gets huge bonus points because Tupac died before the album was released. It turns Don Killuminati into Tupac’s “say hello to my little friend” moment where he completely disregards his life and gives one last “fuck you” to his opponents. Makaveli lives to fight another day.
2) MF Doom:
Heroes are overrated. Daniel Dumile agrees, and that’s why his alter ego, MF Doom, is a super-villain. What’s a super-villain? The scholarly MF Doom defines it as: “a killer who loves children.” This charming masked man successfully flexed his complex rhyme schemes and unique flow on both of his albums (Operation: Doomsday and MM… Food). Rappers beware: Stand up to MF and Doomsday could be upon you.
3) Mr. Rager:
Super-duper Cudder’s struggles with drugs are well documented. He constantly battles his alter ego, Mr. Rager, in order to stay on the straight and narrow. Mr. Rager has always been present in Kid Cudi’s rhymes, but it wasn’t until Cudder’s sophomore album, Man on the Moon II: The Legend of Mr. Rager that he officially existed. Mr. Rager represents everything evil and isn’t afraid to show it, as he only wears clothes that are black. His music is drug-inspired, and his rhymes punch you in the chest harder than the heavy bass behind them. We all have problems, but luckily we don’t have Mr. Ragers.
The Verdict: An intriguing matchup. On one side you have Mr. Rager, who is more real than any other alter ego on this list. Kid Cudi’s career has come close to derailment multiple times because of Mr. Rager. Man on the Moon II is a vastly underrated album, and Mr. Rager has an unbelievably cool video to his name:
On the other hand you have MF Doom, the awesome super-villain who is criminally underrated as well. His creativity is on another level; he’s the guy who rapped about food in 2004. HE EVEN SAMPLED FOOD IN HIS MUSIC. Now cats are Instagramming food left and right, thinking they’re cool. No. MF Doom is cool, and so is his music. I don’t care how many ninjas Kid Cudi karate chops in the Adam’s apple, MF Doom wins in a close decision.
With this, the first round of the Tournament of MC Alter Egos is completed! I will provide the quarterfinals, semi-finals and championship bout in next weeks issue. Stay tuned! And remember, when in doubt, get yourself an alter ego.