Tag Archives: mf doom

Album of the Week: “Madvillainy” by Madvillain

Madvillainy

Madvillain
Madvillainy 
Stones Throw, 2004

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Album of the Week: “The Mouse and the Mask” by Danger Doom

dangerDoom

Danger Doom
The Mouse and the Mask
Lex Records, 2005

Daniel’s Thought

I’d like to think that MF Doom’s most brilliant and mind-inducing material is the stuff that gets screwy and unorthodox, yet pertains to certain manic genius thinking. See, if MF Doom is going to be remembered for one thing, it’ll be his ability to mix and mash compounding rhymes while infusing a tour-de-force look into hip-hop history. Madvillain gem “Strange Ways” is a perfect example, and because it’s shrouded in Doom’s familiar slant rhyme style, noticing the fleshy contradictions of the drug trade and war themes is difficult. This has always been Daniel Dumile’s style—no matter what alter-ego he takes up—and for that, it’s entertaining to listen to his outrageous approach to humor while at the same time defacing the real man behind the mask.

This is precisely why The Mouse and the Mask stands as one of Doom’s best pieces. Despite Danger Doom being a collaborative effort with Danger Mouse, most of The Mouse and the Mask prevails because of Doom’s ability to re-hash his signature style while bringing in new and exciting sounds. The front-end of the record see’s Doom taking shots at his former friend MF Grimm (“El Chupa Nibre”), teasing possible DOOMSTARKS sound (“The Mask”) and picks on the rap game while alluding to the procedure of Wudu (“Benzie Box”). The inspiration behind Doom’s material on this record is light and comedic, but beyond the humor stands an MC still developing an already alluring sound.

Now this goes without saying that Danger Mouse carries his weight behind the production. “Old School”, which features Talib Kweli, takes the roaring trumpets from Keith Mansfield’s “Funky Fanfare” and rolls it into a breakbeat backdrop. And “Crosshairs” is a head-nodding burst of chiseling violins and plunking bass stabs. These songs are just a few examples of Danger Mouse’s range, and as precise and straightforward as they seem to be, there’s still something mysterious lurking behind each cut.

Thrown on The Mouse and the Mask to fill the spaces around Danger Mouse and MF Doom are select MCs and the many voices of Cartoon Network’s Adult Swim. “Benzie Box” features Cee-Lo Green, who renders a perfectly placed chorus between Doom’s bars; “Old School” has Talib Kweli doing his usual; and “The Mask” pits Ghostface Killah with Doom to create the ever intimidating DOOMSTARKS. Elsewhere, “Sofa King” plays off of the Aqua Teen Hunger Force “we Todd ed” joke, “No Name” showcases Sealab 2021’s wonderful cast, “Space Ho’s” bows down to talk show host Space Ghost and Harvey Birdman takes over “Basket Case.” If anything, the Adult Swim cameo samples are just as worthy, if not better than the actual MC guest verses, because come on, who doesn’t enjoy Carl Brutananadilewski talking about “badass” music like REO Speedwagon.

The Mouse and the Mask is a conceptual album with many themes. The obvious being Doom’s intricate style, Danger Mouse’s texture-like production and the Adult Swim overlay. However, underneath the obvious stands a record that hip-hop needs to cherish; it holds humor and importance together at the cusp of greatness, and without records like these we would be without the swank and sting of hip-hop’s diversity.

Gus’ Thought

In the case of music, few things top collaboration. Working together creates a higher level of musicianship as each artist brings what they know to the table, combining interests, techniques and knowledge. This generates creativity and new ways of thinking for each musician and can lead to something truly innovative. Under the moniker Danger Doom, Danger Mouse and MF Doom completed just this type of collaborative effort. The Mouse and the Mask was released in 2005 using MF Doom’s rhymes and unique flow over Danger Mouse’s distinct style of production. The Mouse and the Mask delivers with inventive samples and hilarious interludes from Cartoon Network’s Adult Swim, Doom’s run-on delivery and guest appearances from the likes of Talib Kweli, Cee-Lo and Ghostface Killah. Despite the entertaining feeling of being in an episode of Aqua Teen Hunger Force (A.T.H.F.), Danger Doom provides meticulous commentary on the state of rap music and is an example of the brilliance that can occur when artists join forces.

The audience is getting the best of multiple worlds with The Mouse and the Mask. First there is Danger Mouse’s production that doesn’t necessarily sound like standard hip-hop beats with phat kick drums and crispy snares. All of the songs have an irresistible groove that make your head nod. However, tracks such as “Sofa King,” “No Names” and “Crosshairs” are individual compositions whose instrumentals could stand on their own. Danger Mouse uses string instruments, horns, xylophones and grainy percussion sounds to create beats that are reminiscent of DJ Shadow’s Endtroducing…

While the beats don’t need a rapper, Doom’s lyricism and incomparable flow enhance the beats laid down by Danger Mouse. There aren’t a lot of hooks on this album and if you’re not careful, you might miss what the masked man is saying. Over the funky “Bada Bing,” complete with horn lines and a throw back feel, Doom spits,  “Wait ‘til you crack and see what ‘weed’ do, you dweeb you / No pun intended, takes one to know one, will know-it’s unscented.” The way that Doom raps is causal in that it sounds as if he is just having a conversation or speaking aloud. His lines come and go so fast that if you’re not listening intently, it’s very possible that you’ll miss something. Another example of this is in “El Chupa Nibre” where Doom explains, “The super flow with more jokes than Bazooka Joe / A mix between Superfly Snuka and a superhoe / Chew a MC like El Chupa Nibre / Digest a group and sell the poop on eBay.” Later, in the same verse he says, “Rappers such, when they spit I doubt em / The crap they sing about you’ll wanna slap the [fuckin’ shit] out em.” The nonchalant way in which these lines are delivered speaks to MF Doom’s pure talent as an MC. He has the type of flow that demands your attention even though Danger Mouse’s beats are equally tantalizing.

When creative minds come together to create art, the outcome is something that will change the landscape of their particular art form. With Danger Mouse’s stellar production, MF Doom’s exceptional skills as a lyricist and the comedic relief provided by the cast of characters from Adult Swim, this is absolutely the case as The Mouse and the Mask mixes intellect, humor and creativity to push hip-hop forward and leave you wanting more. I. Am. Sofa. King.

Must-Listens

“Sofa King”

“Benzie Box (feat. Cee-Lo Green)”

“Crosshairs”

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Ego Trippin’: A Tournament of MC Alter Egos (Part Two)

bracket2

By: Harry Jadun
Bracket graphic designed by: Rollin Baker

The hip-hop alter ego tournament introductions and first round happened last week! In case you missed it, don’t skip ahead, click here! 

Last week we introduced you to 16 dynamic, warped alter egos for our Alter Ego Tournament. We told you that only the strong will survive. 8 have been weeded out, 8 are left. Now we separate the contenders from the pretenders; the champ from the chumps. Feelings will be hurt, egos will be shattered, tough decisions will be made, but only one will be left standing. The greatest hip-hop alter ego of all time. Let’s get to it!

Quarterfinals

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Slim Shady vs. Wolf Haley

Slim Shady and Wolf Haley are very similar. And that’s because Tyler, the Creator has admitted that he modeled Wolf Haley after Slim Shady. I’m not a big fan of imitators, I want the real deal. Slim Shady is the real deal. In the early 2000’s he made it cool to be crazy. He made it cool to say “fuck the world.” Wolf Haley has a similar message, but Slim did it better, and he did it first. Slim Shady wins.

Roman Zolanski vs. Sasha Fierce

I’m torn with this one. Both of these alter egos have the Taylor Swift effect. You want to hate their music with all your guts, but you can’t help but love it, and soon enough you’re singing along. Roman Zolanski gets the edge in this matchup though, because of his in-depth backstory. Nicki really went out there in creating Roman, a gay man from London, England who constantly fights with his mom and is locked up in an insane asylum. Sasha’s backstory is a little bit more murky; nobody really knows where she came from. Because of that, I feel more of a connection to Roman Zolanski. Oh yeah, he also advances because his flow’s “tighter than a dick in the butt” (another one of his inappropriate but extremely catchy punchlines).

Makaveli vs. Based God

This is a battle of polar opposites. First you have the Based God, inventor of the Based lifestyle, encouraging others and spreading optimism. Makaveli, whose name (and ideology) is derived from Italian philosopher Nicholas Machiavelli, subscribes to the philosophy of ruling with an iron fist. Rather than killing his opponents with kindness, he just kills them. That’s a problem, because here at Bonus Cut we’re huge on spreading positivity. Makeveli’s tournament life ends here, Based God advances.

Dr. Octagon vs. MF Doom

In an alternate reality where pigs can fly and Ben and Jerry’s doesn’t cost five dollars a pint, MF Doom and Dr. Octagon are best friends, sitting back and having a conversation at the bar with the Dalai Lama. Unfortunately, said reality isn’t real. In the real world they are pitted against each other, battling for survival in this tournament. If these guys met in the finals it would be completely justified. They both revamped the independent rap scene with their respective albums. Their personalities are gnarly, but Dr. Octagon pulls through due to the fact that he holds the advantage over MF in the eccentricity and creativity department. If this were an EA sports game, Doc Oc would have 99’s in those categories. MF Doom gets about a 90 in both. Sorry, it’s not you MF, it’s Doc Oc. I still love you.

Semifinals

finalsemifinal

Slim Shady vs. Roman Zolanski

This one’s relatively easy. Roman Zolanski made it this far due to a fortunate draw and a completely subjective, biased judge. Eminem comes into the arena an overwhelming favorite, a Goliath to Roman’s David. Roman’s slingshot isn’t gonna do much to Slim’s armor either. Eminem invented Slim when he was sitting on the toilet, taking a dump. Go back and listen to the Slim Shady LP. You’ll be appalled by the fact that some of the songs were played on the radio. I remember being on the playground during recess in first grade singing along to the whole album with my friends, swear words and all. I had no clue what it meant. Now I do, and I can’t help but laugh. That’s why Slim is so cool. He had one goal, to rattle the establishment. He ended up doing just that. He had elementary kids talking about killing people and popping pills. And that’s why Slim advances.

Based God vs. Dr. Octagon

Based God, you’re awesome. You challenged Kevin Durant to a pickup game, and when he declined, you went on the best twitter rant of all time: “PEOPLE GET MAD WHEN I GET CLUTCH ON THE COURT ITS ALL FUNNY UNTIL LIL B THROW THAT FLOATER ON YO ASS AND SHUT DOWN D, KD WASUP???” You even went as far as to prophesize that KD will never win an NBA championship. This is awesome for 2 reasons: 1) Russell Westbrook gets a season-ending freak injury in this year’s playoffs, preventing Durant from winning the championship. 2) Based God was dead serious. He legitimately thinks he can beat Kevin Durant, a consensus top five player in the NBA right now, in basketball. But Doc Oc has too much firepower. He brought the rap game into the year 3000 with Dr. Octagonecologist’s super-duper funkadelic scratching and synthesizers. His office’s phone number is 1-800-PP5-1DOODOO. That’s not 10 digits, but it is awesome. Sorry Based God, but YOU GOT KNOCKED THE FUCK OUT (of this alter ego tournament).

Dr. Octagon punches through to the next round.

Bonus Cut’s Alter Ego Tournament Championship

finalround

Slim Shady vs. Dr. Octagon

Ali vs. Frazier, Magic vs. Larry, Palmer vs. Nicklaus. Slim vs. Doc Oc is right up there with the best of them. These guys are head and shoulders above the rest, looking down from the sky. I mentioned EA sports earlier in this article, and these two alter egos are the maxed out characters made playable by cheat codes. Choosing between them is choosing between a Lamborghini and an Aston Martin. But a decision must be made. And the decision is Dr. Octagon. Why? Because of his smooth flow and more comical lyrics. Eminem is funny, but it’s a more fucked up, aggressive, Melissa McCarthy in Bridesmaids funny. Dr. Octagon is a little bit more harmless, so I feel less guilty when laughing at his songs. With that said, even though Doc Oc was killed by Kool Keith’s other (fantastic) alter ego Dr. Dooom in Kool Keith’s Dr. Dooom 2, his legend lives on forever as the Bonus Cut Alter Ego Tournament champion. He’s not with us, but if he was I’m sure he would have an extremely inappropriate, politically incorrect acceptance speech.

FINALTOURNAMENT

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Ego Trippin’: A Tournament of MC Alter Egos

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By: Harry Jadun

Bracket graphic designed by: Rollin Baker

Rappers love pretending to be somebody else. Ever since the conception of hip-hop, alter egos have been used as a tool by MCs to further their music, freeing them up conceptually and stylistically. Here at Bonus Cut we wanted to pay homage to the creativity and ingenuity of these artists, so we decided to host a tournament. 16 alter egos, 1 winner. Over the next two weeks we will introduce you to these insanely cool personas and then pit them against each other. Only the strong will survive. But first, like any sporting event, we have to lay the ground rules. Here goes:

The Rules:

1)     The participants must be alter egos, not alternative names or nicknames. This means that the artist must rap from the alter ego’s perspective at one point or another and this perspective must be significantly different than that of the artist’s.

2)     Only one alter ego per artist.

3)     There were only 16 available spots (we wanted to keep the quality of the artists high).

4)     Seeding was decided by the Bonus Cut Crew. We took into account creativity, cultural significance, popularity and obviously the overall quality of their music.

5)     All matchups will be decided by yours truly, based purely on which alter ego I think is better (creativity, cultural significance, popularity and music). So yes, this is extremely subjective.

6)     This week will only be the first round, due to the fact that I’m going to be introducing each alter ego with fun facts and a healthy dose of knowledge. Next week the tournament will be completed.

7)     Feel free to let us know what you agree and/or disagree with in the comments below. We love feedback!

Now for the main event. Enjoy!

THE MATCHUP:

1) Slim Shady:

Eminem’s lovable homophobic, misogynistic and downright offensive alter ego was introduced to the world on his 1999 release, The Slim Shady LP. A satirical portrayal of rappers, Slim took things so far that he needed a semi-sarcastic “don’t try this at home” disclaimer to serve as the introduction to the LP. Slim was sent to the rap world with the sole intention to “piss people off,” and he accomplished his goal with hit songs such as “My Name Is” and “The Real Slim Shady.” It wasn’t all fun and games, because Slim’s jabs would always have weight behind them, especially when pointed towards popular culture. All of this, combined with the success of the 5x platinum Slim Shady LP, makes Slim one of the favorites to take home the hardware when it’s all said and done.

4) T.I.P.:

T.I. has had some trouble with the law in the recent past. That’s because he hasn’t been able to keep his thugged out alter ego, T.I.P., in check. T.I.P. was born on T.I.’s platinum selling T.I. vs. T.I.P. Throughout the album, T.I. is constantly talking T.I.P. down from resorting to violence or other activities that could get T.I. in trouble. T.I.P. is a thug who will get his way by any means necessary, but things are going to be tough in the first round against Slim Shady.

The Verdict: The problem with T.I.’s alter ego is that it’s not his alter ego anymore; it’s his identity. He hasn’t been able to stay out of jail due to stupid decisions. Also, T.I.P. isn’t winning any points for the fact that T.I. vs. T.I.P. signified the beginning of T.I.’s descent from the top of the commercial rap game. He simply doesn’t have enough to go against Slim Shady, who is one of the most pissed off, warped alter egos ever, and that’s saying something. This dude has a song about bringing his daughter along while getting rid of his wife’s dead body. Slim Shady, no contest.

THE MATCHUP:

2) Wolf Haley:

World, meet Wolf. Wolf, meet World. Wolf is Tyler, the Creator’s white alter ego. He has appeared in Tyler’s music throughout Tyler’s career, and even directed Tyler’s famous “Yonkers” video. Wolf originally started as a name that Tyler decided to use for Facebook because Tyler didn’t like his birth name, but Wolf eventually developed into his own person. Tyler describes Wolf as “the guy I want to be.” Wolf is wild, cool and gives zero fucks. Wolf often converses with Tyler within Tyler’s head, telling Tyler to do crazy shit that he wouldn’t do otherwise.

3) Humpty Hump:

Life got rough for Edward Ellington Humphrey when he burnt his nose while deep-frying some chicken. He couldn’t be the lead man of his band, Smooth Eddie and the Humpers, after the incident so he tried his hand in rapping under the name of Humpty Hump. Digital Underground member Shock G’s brilliant alter ego, back-story and all, shocked the world in the early 1990’s with his nasally flow on songs like “Doowutchyalike” and “The Humpty Dance.”  He stands out from the crowd with his Groucho glasses complete with the nose and his extravagant clothes.

The Verdict: One of the toughest matchups of the first round. Humpty Hump is an epic character, especially with the detailed back-story, which is completed with the costume. Shock G sold it so well that fans, and even some in the music biz, actually thought Humpty Hump was a real person. But I have to go with Wolf, mainly because he directed that insanely awesome “Yonkers” video. Rarely does a music video captivate the entire blogosphere, but “Yonkers” did exactly that. Everyone and their mother has seen that video and will forever be terrified by Tyler wearing black contacts talking about hanging himself. Humpty, I’m sorry but you’re falling off the wall. Wolf marches onwards.

THE MATCHUP:

1) Quasimoto:

Madlib didn’t like his voice when rapping so he let Quasimoto do it instead. Created by slowing down the beat, rapping over it, and then speeding it up, Lord Quas’ helium-inflected voice has terrorized the rap game for the past decade plus. With two critically acclaimed albums to his name, The Unseen and The Further Adventures of Lord Quas, it won’t be a surprise if he makes a deep run in the tournament. Quasimoto is a self-described menace to society, and is not afraid to use violence in order to impose his will. He is well versed in microphone mathematics, and spares nobody with his effortless, slick flow. With another album due up in 2013, you better hide your kids and definitely hide your wife.

4) Roman Zolanski:

Roman is Nicki Minaj’s homosexual male alter ego from London. He has no album to his name, but appears on many of her hit songs, such as “Monster,” “Beez in the Trap,” “Bottoms Up” and “Bed Rock.” The Young Money crew member is often times aggressive and tells the harsh truth Nicki can’t do herself. He used to be violent, but has toned it down at Nicki’s request.  The only thing that stops Roman is his mother, Marsha, who he constantly fights with. Unable to conform to societal norms, Roman was thrown into the nuthouse until an undisclosed date. Things don’t look too good for Roman, who was punished by the bracket gods with a tough matchup in round one.

The Verdict: Quasimoto is a brilliant conception. Anybody with a shitty microphone and voice recorder can speed up his or her voice, but Madlib took that idea and turned it into a terrific rap album. The bad news is, unfortunately, his run stops here. As much as I hate Nicki Minaj, I have to give it to Roman Zolanski, because he has too many quotable lines. Take “Bed Rock,” a song with lines like “lemme put this pussy on your sideburns.” Nobody knows what this line implies, but it’s still an awesome and aggressive bar. Roman’s entire verse on “Monster” is quotable (“Well if I’m fake, I ain’t notice cause my money ain’t!”). It’s too catchy, it’s too fun, and I hate myself for doing it, but I have to put Roman through to the next round. Ugh.

THE MATCHUP:

2) Bobby Digital:

If you love comic books, Bobby Digital is your man. Conceived when RZA smoked a “really good bag of weed” and introduced to the world on Bobby Digital in Stereo, this “lyrical rhyme nympho” is a martial arts master who will “Pierce through your physical faculties/With pin-point accuracy.” He is a pleasure seeker, representing RZA before the fortune and fame. His rhymes play out like that of a comic book, in which Bobby never fails to save the world and get the girl. RZA went as far as making two short movies for Bobby and even pursued a comic deal with publishers, but it didn’t pan out. Bobby Digital is definitely a dark horse, and all those who oppose him better be ready for a tough battle.

3) Sasha Fierce:

Sasha Fierce made her debut on Beyoncé’s I Am… Sasha Fierce. Everybody loves Beyoncé, and everybody loved Sasha Fierce as well. With chart-topping hits like “Halo,” “Single Ladies,” “Diva” and “Sweet Dreams,” the album was a commercial success. Besides being fierce, Sasha is aggressive, sensual and sassy. Beyoncé claims that Sasha takes over every time she goes out to perform, and she performs a lot. Recently though, B claims that she and Sasha have combined, and are no longer separate entities.

The Verdict: Sasha literally, as Aubrey would say, shut it down, down, down at the Super Bowl this year with her halftime performance. She also gets a boost from the signs that she is a member of the Illuminati, which are littered throughout her music videos. It’s hard to decide against Sasha Fierce. Like, they might come to get me hard. But Bobby Digital is every kid (and therefore grown man’s) dream. You’re telling me I get to be a karate master, comic book hero AND an ill rhymesayer? Just stop. But still, I have to go with Beyoncé because “Halo” and “Single Ladies” were guilty pleasures for a majority of human beings at the time of their release. Oh yea, and because:

Sasha Fierce it is.

THE MATCHUP:

1) Dr. Octagon:

A shape shifting alien doctor from Jupiter with metallic green skin, a pink and white afro and yellow eyes, Kool Keith prescribed just what the rap game needed in 1996 with Dr. Octogynocologist, which put underground rap back on the map. Medically, Dr. Octagon is incompetent, as his patients usually die from malpractice and he can’t resist having sex with his nurses. Lyrically however, he dissects all opposition with his smooth flow, witty wordplay and humorous lyrics over futuristic backdrops. If you ever need him to drop knowledge from his glow-in-the-dark brain, he’ll be glad to. You might have trouble getting a hold of him though, as his office operators have a tendency to be masturbating while they’re supposed to be answering calls.

4) Pop:

Biggie’s friend from the barbershop, Pop is always on the lookout for those plotting against Biggie. He gives Biggie the heads up whenever he sees something fishy and waits for Biggie’s word to take action. Pop represents how valuable loyal friends are to rappers who are constantly in the crosshairs of haters’ attacks. Unfortunately, it looks like it’s going to be a short stay for Pop, who has a tough matchup in round one.

The Verdict: This one’s pretty easy for a bunch of reasons. First, Biggie gets punished for half-assing his alter ego. He could’ve gone with Frank White (which would’ve been awesome), but all he does is mention him here and there throughout his career and never really makes anything of it. Instead, we’re left with Pop, who’s not very creative or inspirational. On the other hand, you have Dr. Octagon, an orthopedic gynecologist (Get it? He puts bones into lady parts) from another planet that has performed with a dead Kurt Cobain and an uncircumcised Chewbacca. Doc Oc FTW.

THE MATCHUP:

2) Escobar:

A Mafioso style drug lord who came into existence on Raekwon’s Only Built 4 Cuban Linx… and has appeared in Nas’ music ever since. The story goes like this: before the fortune and fame, Nas was known as Nasty Nas, another persona who was hungry for success that spent days and nights grinding trying to make it. After Nasty Nas reached the top, Escobar took over. Escobar is a ruthless kingpin in the rap game who is always looking to make the next dollar. He’s a tragic hero who represents how power corrupts and changes humans.

3) The Based God:

The Based God is a diety with the appearance of Ellen Degeneres, Sam Cassell, Dr. Phil, Bill Clinton and many more famous public figures combined together. When seen in public, it is tough to fight the urge to shout out, “Based God, you can fuck my bitch!” Based God is the creator of the now famous “cooking dance” used by athletes all around the world and he occasionally takes over Lil B’s twitter feed in order to drop knowledge on the Based Lifestyle. He always promotes love and forgiveness, even going as far as to write a book on the topic. This alter ego is more than the music, which gives him a punchers chance to take home the bacon.

The Verdict: The Based God is a new-age alter ego, utilizing Twitter as the main avenue to reach his fans. His grammatically-challenged Twitter rants are pure comedy, but they always are done with the best intentions (to spread positivity and tips on how to live a Based life). Escobar is legendary in his own right, as his verse on “Verbal Intercourse” marked the first time ever that a non-Wu-Tang member appeared on a Wu-Tang album. That’s some serious shit right there. But I still have to go with Based God. He’s convinced sane men in relationships that it’s alright for him to fornicate with their girls. Based God, you can fuck my bitch… in the second round.

THE MATCHUP:

1) Makaveli:

Sensitive thugs need hugs. Makaveli never needed hugs. An angry, ruthless thug who strategically ruled the streets, Makaveli feared no man. On Don Killuminati: The 7 Day Theory (which was completed in 7 days), Makaveli fired shots at all of Tupac’s enemies. He represented an artistic rebirth of Tupac, as Don Killuminati featured a much darker tone than Pac’s previous albums. Still, Makaveli’s songs featured Pac’s poetic verses and classic delivery, which is why the album is considered one of the greatest of all time. Based on all of this, Makaveli has both the style and substance to win this thing.

4) Brook Lynn:

Mary J Blige is well known for her singing abilities, but few know about her alter ego, Brook Lynn, who raps. Brook appears on songs such as “Enough Cryin” and “Midnight Drive,” and she teams up with Mary to make a formidable tandem. Brook is a sassy, independent woman who doesn’t do soppy love songs. She may need a soppy love song after the first round, as she is faced with the tall task of trying to beat one of the all-time greats.

The Verdict: I’m not going lie, Brook Lynn surprised me on the mic. She came with the goods, holding her own with the likes of Missy Elliott, Busta Rhymes, DMX and Rah Digga. And she’s dressed the part, decked out with some chains and sunglasses. That’s not even close to enough to challenge Makaveli, who gets huge bonus points because Tupac died before the album was released. It turns Don Killuminati into Tupac’s “say hello to my little friend” moment where he completely disregards his life and gives one last “fuck you” to his opponents. Makaveli lives to fight another day.

THE MATCHUP:

2) MF Doom:

Heroes are overrated. Daniel Dumile agrees, and that’s why his alter ego, MF Doom, is a super-villain. What’s a super-villain? The scholarly MF Doom defines it as: “a killer who loves children.” This charming masked man successfully flexed his complex rhyme schemes and unique flow on both of his albums (Operation: Doomsday and MM… Food). Rappers beware: Stand up to MF and Doomsday could be upon you.

3) Mr. Rager:

Super-duper Cudder’s struggles with drugs are well documented. He constantly battles his alter ego, Mr. Rager, in order to stay on the straight and narrow. Mr. Rager has always been present in Kid Cudi’s rhymes, but it wasn’t until Cudder’s sophomore album, Man on the Moon II: The Legend of Mr. Rager that he officially existed. Mr. Rager represents everything evil and isn’t afraid to show it, as he only wears clothes that are black. His music is drug-inspired, and his rhymes punch you in the chest harder than the heavy bass behind them. We all have problems, but luckily we don’t have Mr. Ragers.

The Verdict: An intriguing matchup. On one side you have Mr. Rager, who is more real than any other alter ego on this list. Kid Cudi’s career has come close to derailment multiple times because of Mr. Rager. Man on the Moon II is a vastly underrated album, and Mr. Rager has an unbelievably cool video to his name:

On the other hand you have MF Doom, the awesome super-villain who is criminally underrated as well. His creativity is on another level; he’s the guy who rapped about food in 2004. HE EVEN SAMPLED FOOD IN HIS MUSIC. Now cats are Instagramming food left and right, thinking they’re cool. No. MF Doom is cool, and so is his music. I don’t care how many ninjas Kid Cudi karate chops in the Adam’s apple, MF Doom wins in a close decision.

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With this, the first round of the Tournament of MC Alter Egos is completed! I will provide the quarterfinals, semi-finals and championship bout in next weeks issue. Stay tuned! And remember, when in doubt, get yourself an alter ego. 

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