Tag Archives: mos def

Album of the Week: “Black on Both Sides” by Yasiin Bey (FKA Mos Def)

black-on-both-sides

Yasiin Bey (fka Mos Def)
Black on Both Sides
Rawkus, 1999

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Exploring The Minds of Hip-Hop: The Bonus Cut Fantasy Draft (Part Four)

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By: Harry Jadun with help from the Bonus Cut staff

Click here for part one.
Click here for part two.
Click here for part three.

Fantasy sports has taken off. Due to the rise in technology and the internet, fantasy sports has not only become unbelievably popular in the United States, but also all around the world. Here at Bonus Cut, we have decided that we would take the concept of fantasy sports and apply it to hip-hop music. Instead of drafting wideouts and running backs, we’ve drafted some of our favorite MC’s and beat makers. The big winner in this situation is you. Not only do we introduce you to some of our favorite hip-hop artists and explain why they are relevant in hip-hop culture, we’ve also laced the Draft with dope tracks for your audio pleasure. With this draft, our goal is to pay tribute to some our favorite hip-hop artists and acknowledge the influence they have had on our lives.

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The Greatest Show of All Time: “The Wire” and Its Hip-Hop Roots

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By: Daniel Hodgman

The Wire is an American drama that ran from 2002 to 2008 on HBO. The series is set in the city of Baltimore, Maryland, and was created by David Simon, a former Baltimore police reporter. The show focuses on many aspects of Baltimore and the typical American city, and its reoccurring trait is that it focuses on institutions and the people that are committed to them. The Wire’s portrayal of America is not only a reflective piece of our country’s society, but also an in-depth connection to hip-hop, as it tackles the constraints on the lower class, oppression from outside forces, the fight against corruption and the withstanding notion of fighting for peace and change.

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The Starting Five: 9/11/13

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Every week, Daniel and Gus pick five songs to share called The Starting Five. This week, they’re personally sharing these tracks as a feature.

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Yasiin Bey Submits to Guantanamo Force-Feedings: What This Means

dailybeast

By: Gus Navarro 

On Sunday, via The Guardian, hip-hop artist Yasiin Bey released a video of protest in which he voluntarily underwent standard operating procedures for force-feeding in Guantánamo Bay.

This past February, the detainees in Guantánamo Bay went on a hunger strike, refusing the food placed in front of them. This was in response to when a search of cells by guards turned up hidden contraband among the prisoners but also led to accusations of heavy-handedness. The number of people participating in the strike has grown significantly since February and has now reached a total of 106 people and is continuing to grow. Of those involved in the strike, forty-one are now being force-fed so that they will be kept alive.

Force-feeding is a brutally invasive procedure where the prisoner has an IV inserted, is strapped to a chair and a tube is thrust into their nose. This allows the nutrients to flow into the body. More important to note however, is that this is a process that causes immense pain for the detainee and could easily be considered torture. In a New York Times editorial released through his lawyer, Samir Naji al Hasan Moqbel, a detainee since 2002, explains that he has yet to receive a trial, proclaims his innocence and describes the process of being force fed:

“Last month, on March 15, I was sick in the prison hospital and refused to be fed. A team from the E.R.F. (Extreme Reaction Force), a squad of eight military police officers in riot gear, burst in. They tied my hands and feet to the bed. They forcibly inserted an IV into my hand. I spent 26 hours in this state, tied to the bed. During this time I was not permitted to go to the toilet. They inserted a catheter, which was painful, degrading and unnecessary. I was not even permitted to pray.

I will never forget the first time they passed the feeding tube up my nose. I can’t describe how painful it is to be force-fed this way. As it was thrust in, it made me feel like throwing up. I wanted to vomit, but I couldn’t. There was agony in my chest, throat and stomach. I had never experienced such pain before. I would not wish this cruel punishment upon anyone.”

The situation continues to intensify as the Obama Administration has made it clear that they would continue the force-feeding—even with the arrival of the holy month of Ramadan. On top of that, as stated by the Huffington Post:

“A U.S. federal judge ruled Monday that she lacks the authority to halt the force-feeding of prisoners on hunger strike at Guantánamo Bay, while pointedly noting that the practice appears to violate international law and that President Barack Obama can resolve the issue.”

Regardless of your opinion on Guantánamo Bay, it is undeniable that these prisoners are being subjugated to outright cruelty. With that in mind, this circumstance must be critically examined and stopped immediately.

In the video, Yasiin Bey is seen in an orange jump suit, apprehensively eyeing the situation as he is strapped to a chair. As the procedure begins it is impossible to not to feel his nervousness as he begins to squirm and scream out in total suffering as the tube is shoved up his nose. Bey is unable to endure a second round of feeding, hysterically refusing between uncontrollable breaths and tears, a luxury clearly not provided to the people of the high security prison.

This was a socio-political demonstration from an artist that cannot be overlooked. It is here where Yasiin Bey is using his status as a respected MC to lead the charge against the injustices that people are facing all around the world, and in this case the prisoners of Guatánamo Bay. These are people that deserve a voice. As conditions at the prison and around the world worsen, Howard Zinn’s words come to mind,

“Very often rebellion starts in the culture. It starts with the poets and the writers. I’ve always been heartened by the fact that that the artists in society have almost always been on the side of peace and justice.” (Zinn, 2012, p. 158)

This was true in the 20th century as musicians, artists, actors and writers such as W.E.B. Dubois, Langston Hughes, Bob Dylan and Joni Mitchell played a huge role in providing the necessary expression of discontent that fueled social change. With their work, they were able to bring people together and move as one.

As the world begins to take notice, it is apparent that we need this again. It is of the utmost importance that we, as global participants come together and demand more from our institutions of government. Where are we getting our news from and why is this story surrounding the hunger strike, force-feeding and the Obama Administration’s promises to close Guatánamo Bay not getting significant play in the United States? We cannot wait for the media to provide us with information; we have to seek it out ourselves. On top of that, we as a society must demand more as our fellow human beings are being submitted to unspeakable atrocities that degrade and diminish their humanity. Don’t these incarcerated individuals deserve to at least have their voices heard and in some cases, receive a trial? We have to ask these highly critical questions of our society and hold people accountable in order to strive for a transformation of our culture. We can’t wait for our “leaders” to do it for us. As citizens of the world, we have to come together. Yasiin Bey’s video is shedding light on a situation in need of attention and serves as a poignant example that the platform provided to artists are essential for social change.

You can view the video here.

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HIP-HOP AND THE GOD TRIBE OF SHABAZZ

Heru Falcon

By: Justin Cook

Maybe it’s just me, but goddamn, Shabazz Palaces is some of the best hip-hop to ever grace my ears. From the dark-tribal production, to the spacey atmosphere, all the way to the spiritual poetry of Palaceer Lazaro (aka Butterfly of Digable Planets), Shabazz Palaces understands the hip-hop Tao. However, I never understood one simple thing: what the fuck is a Shabazz Palace? This question led me down a rabbit-hole of research I never could have imagined. It’s mystifying, it’s unbelievable; it’s the story of hip-hop, Islam, and the mythical God Tribe of Shabazz.

The concept of the God Tribe of Shabazz is found mainly in the writings of Wallace Fard Muhammad and Elijah Muhammad. These two men were fundamental in founding and maintaining the Nation of Islam. In the 1930’s, Wallace Fard Muhammad arrived in Detroit, Michigan with a mysterious background; no one really knew who he was, or where he came from, but he made strong relations with the local black community, meeting Elijah Muhammad, one of his first followers.

He then taught the youth his own brand of Islam, drawing inspiration from Buddhism, Christianity, Freemasonry, Gnosticism and Taoism. After gaining a small following, Fard began to expand his power, claiming he had come from Mecca to preach the word of Allah; the ideal behind his teachings empowered African-Americans through spiritual, mental, social and economic means. Over time, his teachings spread to empower all of humanity. And today, these beliefs are echoed by MCs throughout hip-hop history like Big Daddy Kane, Tupac, Mos Def and Jay Electronica, among others.

In the early years, Wallace Fard Muhammad created most of the fundamental beliefs and mythology of the Nation of Islam, including the God Tribe of Shabazz. But after a follower of Fard committed murder in the name of Allah, Detroit police asked him to leave the city and never return. He left, but secretly came back a few months later. Again, he was discovered, arrested, and asked to leave. This time Fard disappeared for good, and no one really knows what happened to him. Some say he left for Mecca, some believe the police killed him—but the Nation of Islam claims he is still alive today, one that boarded the Mother Plane.

Wallace Fard Muhammad

Wallace Fard Muhammad

Before he fled the city of Detroit, Fard made Elijah Muhammad the new leader of the Nation of Islam. He began preaching that Fard was a manifestation of Allah, that he was God directly intervening with the world and his words were sacred. He founded more Temples across the Midwest, and one in Washington D.C; under his leadership, the Nation of Islam expanded greatly, playing an essential role in the civil rights movement of the 1960’s. He spoke about how the Black Man was the Original Man, who had to take back his spirit and destiny from white oppressors. He wrote a number of books on black empowerment and added a significant part to the Nation of Islam’s culture.

During this period of time, Elijah mentored a young man named Malcolm Little, who had heard about the Nation of Islam while serving jail time. A few years later the man changed his name to Malcolm X. He soon became one of the most prominent figures of the group during the 1950’s, becoming assistant minister of the Nation’s Temple Number One in Detroit, establishing Boston’s Temple Number 11, and finally leading Temple Number 7 in Harlem.  Throughout the years, his legend grew into the man we remember today. But in 1962, Malcolm X gave a speech, invoking the mythology of the God Tribe of Shabazz:

“So this scientist named Shabazz took his family and wandered down into the jungles of Africa. Prior to that time no one lived in the jungles. Our people were soft; they were black but they were soft and delicate, fine. They had straight hair. Right here on this Earth you find some of them look like that today. They are black as night, but their hair is like silk, and originally all our people had that kind of hair. But this scientist took his family down into the jungles of Africa, and living in the open, living a jungle life, eating all kinds of food had an effect on the appearance of our people. Actually living in the rough climate, our hair became stiff, like it is now.”

According to the Nation of Islam, the Tribe of Shabazz is the original people of Earth, also referred to as the Original Man, or the Asian Black Nation. All of humanity is a direct descendent from the Tribe of Shabazz, but appear to be ethically different through countless years of grafting. They first lived on the Earth 66 trillion years ago—yes, that is correct, 66 trillion years ago. During this time in our galaxy’s history, the Earth and Moon were still one, and our planet was populated by 13 tribes. An ancient scientist, named Shabazz, wanted to unite the 13 tribes of Earth under one language, but failed. So then he attempted to destroy the Earth by blowing it up. As a result, a chunk of the Earth became the Moon, and all the tribes died, except the Tribe of Shabazz.

The Original Man of Earth was grateful to have survived, and understood their blessed position to still be living and breathing. Shabazz, the ancient scientist, the creator, recognized the strength of his people and decided to guide them through life. He wanted to make his people tough, so 50,000 years ago, he moved them to the jungles of East Asia (which actually refers to Africa, the cradle of civilization). Here, the Tribe of Shabazz learned how to endure the harsh side of life and conquered every wild beast they encountered. Through thousands of years, the Tribe of Shabazz migrated slowly through Africa, finally discovering the best part of the planet to sustain life: the Fertile Crescent, the rich Nile Valley and the present seat of the Holy City, Mecca.

When digging into the symbolism of this myth, the ancient scientist, Shabazz, is synonymous with Yaweh, God, Allah, even Mother Earth herself. The Tribe of Shabazz is simply the first humans, who came into being through the course of evolution; it is the universal force that manifests itself through the nature of our planet and our very own selves. In the Holy Bible, the Tribe of Shabazz is called the Children of Israel—for the words Shabazz, Israel, and Hebrew all have the same meaning, but originate from different languages. In the Jewish language, Israel means Chosen Tribe, and in the Hebrew language, it means God’s elect. The Tribe of Shabazz is the story of humanity, without the lies, dogma and doctrine of organized religion.

The Nation of Islam believes Christianity was created to enslave the mind and promote white supremacy, claiming it to be a manifestation of Satan; the teachings of Jesus Christ are not the teachings of Christianity, and the Church suppresses the truth to control the world. To be like Christ is to be free, just, equal: these are the teachings of Islam and of the Original Man. Christianity has created a white, blue-eyed Christ—but the Nation of Islam knows he was a Black Man of the God Tribe of Shabazz. Over the past 6,000 years, humanity has been warped into believing the lies and deception of the Church, leaving most hollowed and soulless. The Nation of Islam want to reclaim the sacred heart and permeate peace and love throughout the universe—for we are children of the divine!

Shabazz Palaces (left: Ishmael Butler aka Palaceer Lazaro. Right: Tendai 'Baba' Maraire

Shabazz Palaces (left: Ishmael Butler aka Palaceer Lazaro. Right: Tendai ‘Baba’ Maraire)

Now back to Shabazz Palaces: what does it mean? It means we are all born divine, perfect: a marriage of spirit and flesh. It is understanding every moment and every breath of life is divine and a blessing: to live infinitely in every passing moment. Your body is your temple, your palace and heaven is here on Earth–no waiting for an afterlife, no life of suffering. It is embracing the depths of your soul and realizing you are a child of the Sun and Stars, a being of the Universe. It is about standing up for what is pure, against the grain of our violent society and reclaiming our spirituality. To me, it represents being completely and beautifully human. The hip-hop Tao indeed!

Works Cited

Muhammad Speaks. Muhammad Temple of Islam, n.d. Web. 20 Apr. 2013. <http://muhammadspeaks.com/home/&gt;.

Nation of Islam Settlement No. 1. N.p., n.d. Web. 20 Apr. 2013. <http://www.seventhfam.com&gt;.

The Nation of Islam: Universal Supreme Shabazz Allah. Melchisedek Shabazz-Allah, n.d. Web. 20 Apr. 2013. <http://www.universalsupremeshabazzallah.com/index.htm&gt;.

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