Tag Archives: production

Album of the Week: “Fantastic, Vol. 2” by Slum Village

slumvillage_fantastic_vol2

Slum Village
Fantastic, Vol. 2
GoodVibe, 2000

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An Emotional Night of Hip-Hop’s Finest: Freddie Gibbs & Madlib at The Metro

freddie-gibbs-and-madlib

By: Daniel Hodgman

It was around 7pm on Friday when I found myself walking along Addison Street in Chicago’s Wrigleyville neighborhood when I stopped at the Clark Street junction. In front of me, basking in the city’s aura, was Wrigley Field. The bright red lights had seized me, and for a couple of minutes I was in complete awe. Being new in a city is something I’ve experienced before, but I feel it’s a completely different circumstance for cities like Chicago. There are so many landmarks, and so many spacious areas to explore, and maybe in due time I’ll pass by without even stopping to steal a glance, but that night I had to take it all in. I was starstruck, and boy was I about to be starstruck all night.

Taking a left on Clark, I quickly hopped in line at the Metro, one of Chicago’s patented music venues, and as I stood there in a complete haze, I had no idea what was about to rush over me. On the Metro’s large venue sign in the front it simply read: 3/7/14 Freddie Gibbs & Madlib.

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Bonus Cut Films Presents: An Interview With Hir-O (Final Installment)

via blatpack.com

via blatpack.com

Omari Hall (aka Hir-O) is a producer from Detroit, Michigan. As one of the city’s rising hip-hop artists, Hir-O has branded his music with splashes of electronic swells, jazz, soul, live instrumentation and other realms of music that all come to form a cohesive hip-hop force. His projects with DaJaz1, Doss The Artist and Red Pill, along with his instrumentals such as The Voyage Home, reflect the true prowess and versatility of his work, and with future projects coming in 2014, Hir-O is a name you should remember.

Today we’re excited to bring you the third and final installment of our interview with Hir-O as part of Bonus Cut Films, a series that looks into the lives of various hip-hop artists across the globe that have impacted and shaped this culture for the better.

If you haven’t seen part one, you’re going to wanna do that. Click here to watch.
Part two you can view here. 

Below is the final installment of our Hir-O feature:

Film Credits: 
Writing and Script Design: Daniel Hodgman, Gus Navarro and Justin Cook 
Directed By: Gus Navarro 
Production: Daniel Hodgman, Gus Navarro and Phillip McGuigan 
Camera and Sound Design: Ian Siporin, Julian Stall and Phillip Mcguigan
Editing: Gus Navarro and Phillip McGuigan
Songs: “Commonwealth” by Hir-O / “Angel Outlaw” by Hir-O/ “Waiting On A Train (instrumental)” by Hir-O

Many thanks to Omari for inviting us down for the interview. 

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Bonus Cut’s Hip-Hop State of the Union Address

Eryakah Badu via http://www.okayplayer.com/news/erykah-badu-the-music-snobs-on-ghostface-killah.html

Eryakah Badu via http://www.okayplayer.com/news/erykah-badu-the-music-snobs-on-ghostface-killah.html

By: Daniel Hodgman and Gus Navarro 

Fellow hip-hop heads:

Where is hip-hop at right now? Where does the culture stand? For a movement that is now over 40 years old, what can we as a community tell everyone else about hip-hop’s presence in 2014?

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Bonus Cut Films Presents: An Interview With Hir-O (Part Two)

via blatpack.com

via blatpack.com

Omari Hall (aka Hir-O) is a producer from Detroit, Michigan. As one of the city’s rising hip-hop artists, Hir-O has branded his music with splashes of electronic swells, jazz, soul, live instrumentation and other realms of music that all come to form a cohesive hip-hop force. His projects with DaJaz1, Doss The Artist and Red Pill, along with his instrumentals such as The Voyage Home, reflect the true prowess and versatility of his work, and with future projects coming in 2014, Hir-O is a name you should remember.

Today we’re excited to bring you part two of our interview with Hir-O as part of Bonus Cut Films, a series that looks into the lives of various hip-hop artists across the globe that have impacted and shaped this culture for the better.

If you haven’t seen part one, you’re going to wanna do that. Click here to watch.

Below is the second installment of our Hir-O feature:

Film Credits: 
Writing and Script Design: Daniel Hodgman, Gus Navarro and Justin Cook 
Directed By: Gus Navarro 
Production: Daniel Hodgman, Gus Navarro and Phillip McGuigan 
Camera and Sound Design: Ian Siporin, Julian Stall and Phillip Mcguigan
Editing: Gus Navarro and Phillip McGuigan
Songs: “We Are Not Like Them (instrumental)” by Hir-O / “Best Rapper (instrumental)” by Hir-O

Many thanks to Omari for inviting us down for the interview. 

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Bonus Cut Says “Thank You.” Listen to “The Kick” by Red Pill and Hir-O

redpill-thekick

By: Daniel Hodgman and Gus Navarro

Bonus Cut has been around for almost a year now and in that time we have grown. Looking back on this past year, we would not be where we are today without the cooperation of the many different hip-hop artists we have come in contact with. There have been quite a few, but Red Pill and Hir-O have been two artists that have been truly supportive of what we’re trying to accomplish. In short, we cannot thank them enough. Our goal with this write-up is to say thank you to two people who have supported us. With that, we also want to take the time to highlight an album that is underrated beyond belief. In all honesty, a lot of people probably haven’t heard of this record. It’s not your fault but if you’re reading this then should listen to it and share with anyone and everyone you know. This record is a testament to the passion and amazing nature of collaboration within hip-hop music. Seriously, buy this record and support local music.

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