Tag Archives: yasiin bey

The Happenings: Talib Kweli and the Hip-Hop Defense of Palestine

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By: Daniel Hodgman

“Let’s get free just like the Palestinians!” –Black Star “RE: DEFinition (Live at Club Nokia 9/22/2012)”

Let’s Get Free Just Like the Palestinians

The quote above is a reworked bar from Black Star’s song “RE: DEFinition.” Playing to a packed Club Nokia in Los Angeles in September, 2012, Talib Kweli and Yasiin Bey switched things up during their live set of the song and pronounced to the crowd, “Son we way past the minimum, entering millennium/ Let’s get free just like the Palestinians!” (The original line is: “raps will hold a gat to your back like Palestinians”). It was, in one swift and dominant showing, one of those “bigger than hip-hop” moments, and with two of the most conscious MCs out there in Talib and Bey—not to mention Beat Junkies creator and mastermind J Rocc behind the 1s and 2s that night—the message was clear that hip-hop was at the defense of Palestine.

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The Return of Dave Chappelle and a Look Back at His Block Party

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Starting on June 18th and running through the 26th, Dave Chappelle will be performing in New York City for the first time since 2004. Over the course of eight days, Chappelle will be at Radio City Music Hall, reminding audiences why he is one of the great comedians of our time. While the first five nights will not soon be forgotten, the last three will be monumental. On the 24th, the program includes a performance by the Legendary Roots Crew. The following night, Chappelle will be joined by Busta Rhymes, DJ Premier and Janelle Monae. Finally, the one and only Erykah Badu will grace the stage as Chappelle’s return to NYC comes to a close. With these last three nights, the goal is to bring back the magic that occurred ten years ago.

In 2004, Chappelle set up and hosted an all-day concert in Brooklyn with some of the the most respected and explosive musicians in the business back then and currently. To name a few, Kanye West, The Fugees, Dead Prez, John Legend, Yasiin Bey, Talib Kweli, Common, Erykah Badu and The Roots were all there sharing the stage. The footage of that day was eventually released in 2005 as Block Party, a feature length documentary film written by Dave Chappelle and directed by Michel Gondry. Dedicated to the memory of J Dilla, Block Party gives us a glimpse into a day of hip-hop that was full of dope artists, great music, a loving crowd and an amazing concert. Whether you enjoy or dislike the comedy of Dave Chappelle, the man knows his music and how to bring artists together. In anticipation of his run at Radio City Music Hall, we take a look back at ten of our favorite hip-hop moments from his show on Comedy Central and from Block Party.

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Exploring The Minds of Hip-Hop: The Bonus Cut Fantasy Draft (Part Four)

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By: Harry Jadun with help from the Bonus Cut staff

Click here for part one.
Click here for part two.
Click here for part three.

Fantasy sports has taken off. Due to the rise in technology and the internet, fantasy sports has not only become unbelievably popular in the United States, but also all around the world. Here at Bonus Cut, we have decided that we would take the concept of fantasy sports and apply it to hip-hop music. Instead of drafting wideouts and running backs, we’ve drafted some of our favorite MC’s and beat makers. The big winner in this situation is you. Not only do we introduce you to some of our favorite hip-hop artists and explain why they are relevant in hip-hop culture, we’ve also laced the Draft with dope tracks for your audio pleasure. With this draft, our goal is to pay tribute to some our favorite hip-hop artists and acknowledge the influence they have had on our lives.

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The Starting Five: 9/11/13

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Every week, Daniel and Gus pick five songs to share called The Starting Five. This week, they’re personally sharing these tracks as a feature.

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Yasiin Bey Submits to Guantanamo Force-Feedings: What This Means

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By: Gus Navarro 

On Sunday, via The Guardian, hip-hop artist Yasiin Bey released a video of protest in which he voluntarily underwent standard operating procedures for force-feeding in Guantánamo Bay.

This past February, the detainees in Guantánamo Bay went on a hunger strike, refusing the food placed in front of them. This was in response to when a search of cells by guards turned up hidden contraband among the prisoners but also led to accusations of heavy-handedness. The number of people participating in the strike has grown significantly since February and has now reached a total of 106 people and is continuing to grow. Of those involved in the strike, forty-one are now being force-fed so that they will be kept alive.

Force-feeding is a brutally invasive procedure where the prisoner has an IV inserted, is strapped to a chair and a tube is thrust into their nose. This allows the nutrients to flow into the body. More important to note however, is that this is a process that causes immense pain for the detainee and could easily be considered torture. In a New York Times editorial released through his lawyer, Samir Naji al Hasan Moqbel, a detainee since 2002, explains that he has yet to receive a trial, proclaims his innocence and describes the process of being force fed:

“Last month, on March 15, I was sick in the prison hospital and refused to be fed. A team from the E.R.F. (Extreme Reaction Force), a squad of eight military police officers in riot gear, burst in. They tied my hands and feet to the bed. They forcibly inserted an IV into my hand. I spent 26 hours in this state, tied to the bed. During this time I was not permitted to go to the toilet. They inserted a catheter, which was painful, degrading and unnecessary. I was not even permitted to pray.

I will never forget the first time they passed the feeding tube up my nose. I can’t describe how painful it is to be force-fed this way. As it was thrust in, it made me feel like throwing up. I wanted to vomit, but I couldn’t. There was agony in my chest, throat and stomach. I had never experienced such pain before. I would not wish this cruel punishment upon anyone.”

The situation continues to intensify as the Obama Administration has made it clear that they would continue the force-feeding—even with the arrival of the holy month of Ramadan. On top of that, as stated by the Huffington Post:

“A U.S. federal judge ruled Monday that she lacks the authority to halt the force-feeding of prisoners on hunger strike at Guantánamo Bay, while pointedly noting that the practice appears to violate international law and that President Barack Obama can resolve the issue.”

Regardless of your opinion on Guantánamo Bay, it is undeniable that these prisoners are being subjugated to outright cruelty. With that in mind, this circumstance must be critically examined and stopped immediately.

In the video, Yasiin Bey is seen in an orange jump suit, apprehensively eyeing the situation as he is strapped to a chair. As the procedure begins it is impossible to not to feel his nervousness as he begins to squirm and scream out in total suffering as the tube is shoved up his nose. Bey is unable to endure a second round of feeding, hysterically refusing between uncontrollable breaths and tears, a luxury clearly not provided to the people of the high security prison.

This was a socio-political demonstration from an artist that cannot be overlooked. It is here where Yasiin Bey is using his status as a respected MC to lead the charge against the injustices that people are facing all around the world, and in this case the prisoners of Guatánamo Bay. These are people that deserve a voice. As conditions at the prison and around the world worsen, Howard Zinn’s words come to mind,

“Very often rebellion starts in the culture. It starts with the poets and the writers. I’ve always been heartened by the fact that that the artists in society have almost always been on the side of peace and justice.” (Zinn, 2012, p. 158)

This was true in the 20th century as musicians, artists, actors and writers such as W.E.B. Dubois, Langston Hughes, Bob Dylan and Joni Mitchell played a huge role in providing the necessary expression of discontent that fueled social change. With their work, they were able to bring people together and move as one.

As the world begins to take notice, it is apparent that we need this again. It is of the utmost importance that we, as global participants come together and demand more from our institutions of government. Where are we getting our news from and why is this story surrounding the hunger strike, force-feeding and the Obama Administration’s promises to close Guatánamo Bay not getting significant play in the United States? We cannot wait for the media to provide us with information; we have to seek it out ourselves. On top of that, we as a society must demand more as our fellow human beings are being submitted to unspeakable atrocities that degrade and diminish their humanity. Don’t these incarcerated individuals deserve to at least have their voices heard and in some cases, receive a trial? We have to ask these highly critical questions of our society and hold people accountable in order to strive for a transformation of our culture. We can’t wait for our “leaders” to do it for us. As citizens of the world, we have to come together. Yasiin Bey’s video is shedding light on a situation in need of attention and serves as a poignant example that the platform provided to artists are essential for social change.

You can view the video here.

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All Eyez on Me: The George Zimmerman Trial and Hip-Hop’s Defense of Trayvon Martin

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By: Daniel Hodgman

All Eyez on Me

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In the 17 days since the beginning of the George Zimmerman trial, I have tried to keep in touch with everything that has been going on. Like millions of Americans, I’m invested in this case. From the very start of the Trayvon Martin story we’ve delved deep down into the rabbit hole of topics that range from race to national gun laws to Florida’s Stand Your Ground law. Out of all these topics—which are all important in their own right—I still can’t get over one simple thing: George Zimmerman, after being told not to follow someone he deemed “suspicious looking,” decided it was in his best interest to continue pursuing his target, which ultimately lead to a 17-year-old black male with Skittles and Arizona Tea dead on the grass with a bullet in his chest.

And yet, the more I think about this story, the more it isn’t surprising.

I’m sorry for such a pessimistic view on the nature, but if we look at some things—more specifically the slayings and unjust nature against young black youth and minorities in America—how are we at this point surprised by these events when our country is yet to progress? Need I mention Oscar Grant? Or what about Nicholas K. Pert’s riveting story about N.Y.P.D. behavior against black males in New York City? In a day and age where we are almost 50 years removed from Martin Luther King Jr.’s “I Have a Dream” speech (August 28, 1963), it seems that our progression as a whole doesn’t even come close to what civil rights activists in the 60s had hoped for in a 50 year span.

So with that, this is why the George Zimmerman case and Trayvon Martin story are important. And although it’s far from being the only one worthy of discussion—it’s amazing how mainstream media will invest everything into a certain story without focusing on others as well—it’s the closest America as a whole will get to understanding the core issues of civil rights in the 24 hour news cycle.

Stakes is High

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Maybe it’s because we’re in an age of technological advancement and online everything, or maybe it’s because news outlets realize the magnitude of this case, but everything in the George Zimmerman trial is being taped and broadcast. This itself is a beauty, because we as a nation don’t have to take a reporter’s word or script to pass judgment; we can literally sit at our television and watch this unfold. And maybe, just maybe, this will ease the aftermath.

See, the Casey Anthony case was stunning, and the Kermit Gosnell trial was frightening and just, but the George Zimmerman case is extremely important in that the verdict will extend far beyond the reaches of the courtroom. Whatever verdict is decided at the end of this trial, it is a guarantee that this won’t signify the end of the story. If taping the entire trial for people to follow and judge for themselves as it unfolds helps ease some, then this is needed. More importantly, getting this first-hand look at the trial gives us a sense of actually knowing the story from witnesses and accounts.

The trial itself, at least through the first 17 days, has been patchy on both sides. From the jury selection, to the opening statements, and to the witnesses, both the prosecutors and defense team have gone through each and every ring a case could possibly throw.

At the end of the jury selection, it was decided that six women would consist of the jury with four alternates (the jury only has six members because second-degree murder cases in Florida only call for six jurors). Five of those women are white, and one is Latina.

Now what does it matter if the six jurors are women and that five are white and one is Latina? Why should there be questions asked? Well, for one let’s look at this case: first, the Trayvon Martin shooting has and will always focus mainly on race, because the details behind the altercation make it so (George Zimmerman was a Latino and Trayvon Martin was a black teenager; Trayvon looked like a “punk” and was “suspicious”). Beyond this, the jury selection was chosen for the benefit of both the prosecutors and defense: the prosecutors agreed upon this jury because to them, women have that instinct that Trayvon was just a kid, and that this would stir feelings of “that could have been my son.” On the other hand, the defense team agreed upon this jury because they wanted to emphasize the fact that Trayvon was a black male wearing a hoodie, and that he looked “suspicious,” trying to evoke feelings in the jury that this kid could have been trouble if they were in the vicinity. From the very get-go this trial continued to play on stereotypes, no matter how big or small they were.

As the actual trial started to commence, it looked like the prosecutors were gaining the upper hand. The defense team began their opening statements with a distasteful “knock-knock” joke, and the opening statements made by assistant state attorney John Guy directly used George Zimmerman’s line he said on the phone that went like this:

“Fucking punks. Those assholes, they always get away.”

Guy later went on to say:

“Those were the words in that grown man’s mouth as he followed in the dark a 17-year-old boy who he didn’t know … Those were the words in that man’s chest when he got out of his car armed with a loaded semi-automatic pistol and two flashlights to follow on foot Trayvon Benjamin Martin, who was walking home from a 7-Eleven … Those were the words in that defendant’s head moments before he pressed that pistol into Trayvon Martin’s chest and pulled that trigger.”

After day one, it looked like justice would be swift and vigilant. It looked, at least during that very moment, that George Zimmerman was doomed for what he rightfully deserved: second-degree murder.

And yet, as the trial wore on, things started to get shaky. The prosecuting team’s witnesses thus far have failed to fully bring the information they were hoping for that would pin George Zimmerman. This is especially true with Rachel Jeantel, the 19-year-old friend of Trayvon Martin who was talking to him that night. Not only was it hard to understand her on the stand, she was also caught with providing misleading information and wrapping herself up in contradictions. Comparatively, other witnesses have only bolstered Zimmerman’s case for self-defense, claiming that Martin was throwing punches and Zimmerman was pinned.

So as we stand, 17 days later and still in the midst of this trial, here’s what’s important:

  1. No matter what the verdict of this case is, remember: George Zimmerman was the one who decided to follow Trayvon Martin, even after being told not to by authorities. We still don’t know who started the initial fight, but this fact is important to retain.
  2. Despite the prosecuting team’s disappointing run of witnesses thus far, remember Zimmerman’s quote from opening statements: “fucking punks. Those assholes, they always get away.”
  3. At this point, it looks like a lot of the evidence is pointing towards a worthy case of self-defense by Zimmerman. Even more disheartening is that the chances of him being convicted of second-degree murder are slim. If anything, he will get charged for manslaughter and will likely get a reduced sentence. His chances of walking are still high.
  4. Most important, no matter what happens, we as a community stand behind Trayvon Martin, his family and all of the similar injustices that plague not only our country, but our world as well.

Which leads me to this.

Anthem Inc.

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If you can remember way back towards the very beginning, you’ll remember that Zimmerman wasn’t even taken in for a crime. In fact, it was Florida’s Stand Your Ground Law that actually shielded him from such an event. It took protests, petitions, “million hoodie marches,” demonstrations ,vocal output and action to actually bring authorities around to arresting Zimmerman and charging him for second-degree murder.

One of the biggest groups behind Trayvon Martin and the calling for social justice was the hip-hop community. Not only were there demonstrations and peace talks, but also artists and MCs (both high on the spectrum and underground) were making dedication songs to a story that is all too familiar in the hip-hop realm.

In an article with MTV, Public Enemy co-founder Chuck D pointed out:

“I’m pretty much not the one to be told that a trial is going to make everybody feel straight and clear … The obvious point is that this young man lost his life from an unjust situation, and it needs to be hammered home. That’s bottom line.”

In the same article, rapper Game goes on to talk about the historical relevance of the Trayvon Martin story:

“For some reason, people don’t think that they need any excuse to kill us, beat us, hit us, run us over, disrespect us or anything like that. This is just another reminder that stupidity still exists.”

And even going past race, hip-hop recognizes that this story touches so close to the community because Trayvon was only a kid. Chuck D’s wife, Professor Gaye Theresa Johnson points out:

“We’re talking about a grown armed man who shot an unarmed child, regardless of race.”

From the outpour and concerns, the hip-hop community has also unleashed a plethora of tribute songs. And although some are better than others, a situation like this shouldn’t be judged on musicality, but sincerity.

On Jasiri X’s song “Trayvon,” he raps over the fitting beat of “No Church in the Wild” to explain the event that took place. It’s a haunting tale, especially over the churning production of “No Church…,” but its Jasiri’s vocal cadence and lyrical detail that reinforces both strength and sadness regarding this story.

“He had just came up from Miami to see his daddy / Who knew such a great weekend would end badly? / In a place where you move because it’s safe for your family / When some people gotta have grown hate for your family.”

Alternatively, on “Date of My Death (Trayvon Martin),” Tahir Jahi tells about continual injustices and the fight “for whatever is left.”

“Sick of innocent getting wronged by the ignorant / Who will benefit from this medicine / Coming from my lungs to warn veterans please let them in / Fuck Democrats and Republicans I don’t care bout your publishing.”

“Made You Die,” a song by Dead Prez, RBG member mikeflo and Yasiin Bey, takes a more revolutionary approach and expresses that the Trayvon Martin shooting is the straw that broke the back.

“Cause we do the same thing expecting different results / I’m checking the vital signs but I ain’t getting no pulse.”

These are just a few examples, but from the hundreds of Trayvon Martin tribute songs, it’s a clear-cut sign that this story isn’t simply a resurgence in hip-hop awareness. Rather, it’s a sign that the problems that plagued the hip-hop community from the very beginning are still very much alive. Moreover, hip-hop has always been something representing that fight, or that something to fight for, and this 16 month story is putting that fight on the national spotlight.

Finding Forever

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The shooting of Trayvon Martin and the George Zimmerman trial are part of a bigger story. On the surface you have an unjust Florida law that allowed a grown-man to murder an unarmed boy. However, at the core you have bigger issues. There are issues on race, oppression, stereotyping and issues of our country’s growth in general. It’s been 50 years since the “I Have a Dream Speech,” and yet we as a whole are yet to fully embrace it. We have continued to see the slayings of innocent and unarmed minorities (especially the black youth), and we have continued to see the perpetrators let off unfairly. Despite the vast improvements we’re making as time goes by, it’s not enough. We need action.

When the story of Trayvon Martin first surfaced, it took action to have the Sanford Police Department even consider charging George Zimmerman. This action, which included the protests and marches, directly resulted in an arrest and a second-degree charge. Millions of people around the country, whether they were involved with hip-hop or ordinary citizens, took to the streets and voiced their say.

Likewise, in the 60s and 70s, Americans protested the Vietnam War with action. Citizens marched, musicians sang and artists unveiled works all for one common cause. More specifically, these times brought upon thousands of musicians coming together and demonstrating resistance and action through song. One such example is Country Joe McDonald’s “Feel Like I’m Fixing to Die”:

“And it’s one, two, three, what are we fighting for? Don’t ask me I don’t give a damn, next stop is Viet Nam. And it’s five, six, seven, open up the pearly gates, ain’t no time to wonder why, whoopee we’re all gonna die.”

These examples of action demonstrate one thing that must be recognized: unity. We cannot as people continue along our petty ways of indifference if we expect to see change. Furthermore, we need to march together for the bigger causes worth fighting for. Politicians need to stop fighting for “seats” and actually work together and listen to the constituents. Law enforcement needs to stop playing stats and work on bettering the country as a whole. News outlets need to spread attention to all the important stories and stop broadcasting from one side. Focus on education needs to start playing to the needs of the kids instead of standardized tests and statistics. People need to look past skin color, culture, gender, sexual orientation and religious affiliation when judging one’s character. And we as a whole need to realize hatred and injustice are a waste of time; life’s too short to be full of hatred.

We need to come together like so many cultures and people have come together in the past, and fight for these things. We need to come together like hip-hop did for Trayvon Martin. We need to express ourselves, not just vocally, but through art, discussion, workshops, demonstrations, protests and marches. If we don’t take action, we won’t see change.

Along with action, we also need hope.

Tweeting from court Tuesday, Trayvon’s mother Sybrina Fulton wrote: “Day 17 – Remember God gives His toughest battles to His strongest soldiers. Please know I can’t give up now, I’ve come too far. Continue to keep us lifted in prayer.”

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